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Conscience and Allegiance in Seventeenth Century England
In Conscience and Allegiance in Seventeenth Century England, David Martin Jones discusses both the attraction of the state oath to government as a devise to promote and secure support, and the reasons why conscience declined in political relevance in the course of the eighteenth century."--Jacket.
Deleuze and World Cinemas
Brings Deleuze's writings on cinema into contact with world cinema, drawing on examples ranging from Georges Méliès to Michael Mann.
History's Fools
The end of the Cold War announced a new world order. Liberal democracy prevailed, ideological conflict abated, and world politics set off for the promised land of a secular, cosmopolitan, market-friendly end of history. Or so it seemed. Thirty years later, this unipolar worldview-- premised on shared values, open markets, open borders and abstract social justice--lies in tatters. What happened? David Martin Jones examines the progressive ideas behind liberal Western practice since the end of the twentieth century, at home and abroad. This mentality, he argues, took an excessively long view of the future and a short view of the past, abandoning politics in favour of ideas, and failing to addr...
Scotland
Scotland: Global Cinema focuses on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world who braved the weather to shoot in Scotla
Columbo
Offers a unique analysis of globally iconic and cult favourite television show, Columbo.
Deleuze Reframed
Are your students baffled by Baudrillard? Dazed by Deleuze? Confused by Kristeva? Other beginners' guides can feel as impenetrable as the original texts to students who 'think in images'. "Contemporary Thinkers Reframed" instead uses the language of the arts to explore the usefulness in practice of complex ideas.Short, contemporary and accessible, these lively books utilise actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers. Conceived specifically for the visually minded, the series will prove invaluable to students right across the visual arts. Deleuze disdains easy...
Cinema Against Doublethink
When is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know about how the past really happened, history is as it is recorded: this is what George Orwell called doublethink. But what happens to all the lost, forgotten, censored, and disappeared pasts of world history? Cinema Against Doublethink uncovers how a world of cinemas acts as a giant archive of these lost pasts, a vast virtual store of the world’s memories. The most enchanting and disturbing films of recent years – Uncle Boonmee Who Can Recall his Past Lives, Nostalgia for the Light, Even the Rain, The Act of Killing, Carancho, Lady Ve...
Handbook of Terrorism and Counter Terrorism Post 9/11
Almost two decades after the events of 9/11, this Handbook offers a comprehensive insight into the evolution and development of terrorism and insurgency since then. Gathering contributions from a broad range of perspectives, it both identifies new technological developments in terrorism and insurgency, and addresses the distinct state responses to the threat of political, or religiously motivated violence; not only in the Middle East and Europe, but also in Africa, South and Southeast Asia, and North and South America.
Deleuze, Cinema and National Identity
A monograph exploring the ways in which Deleuze's philosophy of time can enhance our understanding of contemporary mainstream cinema.
The Image of China in Western Social and Political Thought
David Martin Jones examines how China has been portrayed in European and subsequently North American social and political thought and what, if anything, this depiction tells us about the character of this thought. Such a question immediately evokes the spectre of orientalism and subsequent chapters explore whether the identification of an orientalist project invalidates the knowledge claims of European and North American social and political thought as it evolved from the eighteenth to the twentieth century.
