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A Good War Is Hard to Find
In the wake of Abu Ghraib, Americans have struggled to understand what happened in the notorious prison and why. In this elegant series of essays, inflected with a radical Catholic philosophy, David Griffith contends that society's shift from language to image has changed the way people think about violence and cruelty, and that a disconnect exists between images and reality. Griffith meditates on images and literature, finding potent insight into what went wrong at the prison in the works of Susan Sontag, Anthony Burgess, and especially Flannery O’Connor, who often explored the gulf between proclamations of faith and the capacity for evil. Accompanying the essays are illustrated facts about torture, lists of torture methods and their long-term effects, and graphics such as the schematics of the “pain pathways” in the human body. Together, the images and essays endow the human being with the complexity images alone deny.
Ship Dioramas
The author of Ship Models from Kits “has brought nautical scenes to life in his latest book” (Daily Record). This book is about the art of displaying waterline models. By their very nature, ship models that do not show the full hull and are not mounted on an artificial stand cry out for a realistic setting. At its most basic this can be just a representation of the sea itself, but to give the model a context to tell some sort of story is far more challenging. In a diorama, the composition is a vital element and this book devotes much of its space to what works and what does not—and illustrates with photographic examples why the best maritime dioramas have visual power and how to achiev...
The Great Divide and the Salvation Paradox
The church in its first centuries split on whether Christ saved everyone or a few, Universalism versus Exclusivism. In the sixth century, the church settled the issue seemingly and held that Universalism was heresy. This book reviews this history as well as what provoked it—Scripture, on its face, gives two contradictory accounts of salvation’s extent: everyone is ultimately saved and everyone is not. In contrast to both Exclusivism and Universalism, the book takes Scripture’s two accounts of salvation’s extent as true—that is, as a paradox. This is the approach the church has taken with other scriptural paradoxes. Saying one God is three, or one Son is both God and man, appeared to be contradictory too, but, to embrace Scripture entirely, these were seen as paradoxical. The Trinity modeled how one can be three, and the hypostatic union modeled how one can be two. For the paradox of salvation’s extent, the answer lies in the individual’s divisibility in the afterlife, one can be two. That is, in ultimate salvation, each individual can be both saved and unsaved.
Ship Models from Kits
In the past thirty years the world of model kits has undergone a veritable revolution. New techniques in injection moulding have improved the scale accuracy and surface detail of the humble plastic kit, while many specialist companies now produce top-quality resin models, vastly broadening the range of subjects on the market. However, the really radical change has been the advent of photo-etched brass fret, which allows the finest detail to be reproduced to scale. In ship modelling, this has resulted in a new form of the hobby, mid-way between traditional build-from-the-box simplicity and the time-consuming demands of fabricating everything from scratch. These new materials have prompted inn...
D. W. Griffith: His Life and Work
"It has been said that after Griffith, nothing new has been added to the motion picture. The one-time Kentucky farm boy, high school dropout and itinerant stock company actor revolutionized the movie industry, transforming a fledgling attraction into the world's most powerful entertainment medium. D.W. Griffith produced and directed The Birth of a Nation, Intolerance, Broken Blossoms, and Orphans of the Storm. He launched the screen careers of Mary Pickford, Lillian and Dorothy Gish, and Lionel Barrymore. From the ranks of his assistants came Erich von Stroheim, Raoul Walsh, and Mack Sennett. Yet the man who was known as "the Master" and "the Belasco of the screen" ended his career in obscur...
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