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David Tafler's Guide to RRIFs, 1999
  • Language: en
  • Pages: 125

David Tafler's Guide to RRIFs, 1999

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Transmission
  • Language: en
  • Pages: 333

Transmission

  • Type: Book
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  • Published: 1995
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  • Publisher: SAGE

The essays in this volume investigate the impact of all media, including the emerging technologies, on the social, cultural, economic and political climate in the context of aesthetic values, and issues of gender, race and class. Transmission examines the array of forces moving the contemporary video landscape forward, comparing the past with the present as well as the future as it looks at the impact of video on commercial television, the relationship of media to the social causes it (mis)represents and the effects of new communication tools on participating constituents.

Communication Impact
  • Language: en
  • Pages: 292

Communication Impact

Designed as an alternative stand-alone text or supplement to conventional research methods texts, Communication Impact introduces methods through engaging narrative descriptions of actual research projects driven by contemporary real-world questions. The featured case studies demonstrate three important points: 1) Doing communication research is an active, creative process; 2) Actual research projects are very different--and much more exciting--than typical textbook cases; and 3) Communication research generates knowledge that can make a difference to the world. Each chapter addresses a different method, including community-based research, research on organizations and institutions, problem-focused research, cross-cultural research, and research on new technologies.

Television Histories
  • Language: en
  • Pages: 557

Television Histories

From Ken Burns's documentaries to historical dramas such as Roots, from A&E's Biography series to CNN, television has become the primary source for historical information for tens of millions of Americans today. Why has television become such a respected authority? What falsehoods enter our collective memory as truths? How is one to know what is real and what is imagined—or ignored—by producers, directors, or writers? Gary Edgerton and Peter Rollins have collected a group of essays that answer these and many other questions. The contributors examine the full spectrum of historical genres, but also institutions such as the History Channel and production histories of such series as The Jack Benny Show, which ran for fifteen years. The authors explore the tensions between popular history and professional history, and the tendency of some academics to declare the past "off limits" to nonscholars. Several of them point to the tendency for television histories to embed current concerns and priorities within the past, as in such popular shows as Quantum Leap and Dr. Quinn, Medicine Woman. The result is an insightful portrayal of the power television possesses to influence our culture.

Cultural Studies 11.3
  • Language: en
  • Pages: 159

Cultural Studies 11.3

  • Categories: Art
  • Type: Book
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  • Published: 2012-11-12
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  • Publisher: Routledge

This intriguing issue represents the truly international and interdisciplinary nature of contemporary work in cultural studies. Cultural Studies has reflected the discipline in becoming ever more global in scope and perspective.

Merleau-Ponty's Philosophy
  • Language: en
  • Pages: 544

Merleau-Ponty's Philosophy

A clear and comprehensive introduction to the thought of French philosopher Maurice Merleau-Ponty

Critical Issues in Electronic Media
  • Language: en
  • Pages: 308

Critical Issues in Electronic Media

Critical Issues in Electronic Media is an interdisciplinary sourcebook that offers new critical perspectives directly related to, or arising from, the practice of electronic media art. It sketches the changing topology of culture as it enters electronic space and specifically addresses questions of art practice in that space. Some of the contributions focus on the dynamics of specific emerging media such as interactive media, while others look at the cultural conditions formed by, and forming around, new technological complexes. Still others examine contemporary technocultural manifestations against a background of social and technological history. The contributors are professionally and geographically diverse, representing professional fields such as computer graphics, video, sound, drama, and visual arts as well as media, cultural and literary theory, and the social sciences. Together, these essays provide a rich survey of contemporary technological critique and offer a perspective on creative practice in technological media.

Framing Technology
  • Language: en
  • Pages: 236

Framing Technology

Framing Technology uses an interdisciplinary approach to explore some of the key issues in technology today, including virtual reality, gender, health, the environment, regulation, the information society, surveillance and globalisation.

Frontiers of Cyberspace
  • Language: en
  • Pages: 330

Frontiers of Cyberspace

  • Type: Book
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  • Published: 2012-01-01
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  • Publisher: Brill

The content of this volume reflects theoretical and practical discussions on cultural issues influenced by increased adoption of information and communication technologies. The penetration of new forms of communication, such as online social networking, internet video-casting, and massive online multiplayer gaming; the experience and exploration of virtual worlds; and the massive adoption of ever-emergent ICT technologies; are all developments in desperate need of serious examination. It is not surprising that these new realities, and the questions and issues to which they give rise, have drawn increasing attention from academics. Those engaging these issues do so from a wide range of academ...

Electric Seeing
  • Language: en
  • Pages: 351

Electric Seeing

  • Categories: Art

What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.