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From the New York Times’s veteran foreign policy editorialist, a lucid analysis of the harm caused by America’s increasingly misdirected national security state America is trapped in a state of war that has consumed our national life since before Pearl Harbor. Over seven decades and several bloody wars, Democratic and Republican politicians alike have assembled an increasingly complicated, ineffective, and outdated network of security services. Yet this pursuit has not only damaged our democratic institutions and undermined our economic strengths; it has fundamentally failed to make us safer. In The Emergency State, senior New York Times writer David C. Unger reveals the hidden costs of America’s bipartisan obsession with achieving absolute national security and traces a series of missed opportunities—from the end of World War II through the presidency of Barack Obama—when we could have rethought our defense strategy but did not. Provocative, insightful, and refreshingly nonpartisan, this is the definitive untold story of how America became so vulnerable—and how it can build real security again.
“A Jewish man flees 1938 Germany only to find a new and unexpected nightmare” in Guatemala, in this tale of dark humor and desperate suspense (Publishers Weekly). In 1938, as Samuel Berkow’s tramp steamer from Germany approaches Puerto Barrios, Guatemala, he is full of hope that he will be able to find a family member and begin to remake his life in the new world. But in this sweltering, chaotic, and hostile port town, he will have to face down many obstacles—including himself—before he can hope to truly escape . . . “Unger’s sharp prose deftly conveys Samuel’s frustrations and confusions as he encounters characters like a troublesome dwarf, a volatile American fruit company manager, a crazed ex-priest, and a friendly telegraph operator who all offer help with one hand but uncertainty with the other.” —Publishers Weekly “Evoking both Kafka and Conrad, Unger’s character study of a broken man in a culture broken by a ravenous corporation makes compelling reading.” —Booklist “Unger’s tale utterly seduces with its mix of the exotic and the familiar.” —Toronto Star
Set in Guatemala and based on a true story, “this intriguing literary thriller will appeal to lovers of international crime fiction” (Booklist). Guillermo Rosensweig is a member of the Guatemalan elite, runs a successful law practice, has a wife and kids—and a string of gorgeous lovers. Then one day he crosses paths with Maryam, a Lebanese beauty with whom he falls desperately in love . . . to the point that when he loses her, he sees no other option than to orchestrate his own death. The Mastermind is based on the bizarre real-life story of Rodrigo Rosenberg, a Guatemalan attorney who, in 2009, planned his own assassination after leaving behind a video accusing Guatemalan president Á...
Life in Guatemala is simple for young Davico and his older brother Felipe ... until soldiers invade, and the blackouts begin.
The story of the Eltaleph family in Guatemala Cityin the early 1980s.
"Analytical Fracture Mechanics should prove to be a valuable resource to both the new student and the experienced researcher in fracture mechanics. It is recommended." — Applied Mechanics Review One of the central concerns of engineering is the failure of materials. Addressing this concern, fracture mechanics — an interdisciplinary subject spanning mechanical, civil, and materials engineering, applied mathematics, and physics — predicts the conditions under which such failure will occur due to crack growth. This valuable self-contained text by an expert in the field supplements standard fracture mechanics texts by focusing on analytical methods for determining crack-tip stress and stra...
In My Eyes, You Are Beautiful is a coming-of-age novel, that narrates the life of an Indigenous young woman. It depicts the transformation of Olivia Padilla Xuc, an illiterate six-year-old picking coffee in the Guatemalan countryside as she becomes a liberated, powerful woman working in Mexico City. Through Olivia's deeply moving narrative, we explore the possibility of change and growth of an indigenous woman as she delve into issues of racism, economic opportunity and self-worth - the vital themes that first nation people confront globally while they try to better themselves in societies convinced of their worthlessness. Against an historical period of armed conflict, turmoil and conflict, Olivia Padilla is funny, intense, imaginative, alternately serious and playful. Her courage allows her to explore her sexuality in Guatemala, Mexico, Cuba and Italy as she builds a satisfying, independent life few people could have considered possible.
During the middle of the twentieth century, philosophers generally agreed that, by contrast with science, philosophy should offer no substantial thoughts about the general nature of concrete reality. Instead, philosophers offered conceptual truths. It is widely assumed that, since 1970, things have changed greatly. This book argues that's an illusion that prevails because of the failure to differentiate between "concretely substantial" and "concretely empty" ideas.
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
A new philosophy of religion for a secular world How can we live in such a way that we die only once? How can we organize a society that gives us a better chance to be fully alive? How can we reinvent religion so that it liberates us instead of consoling us? These questions stand at the center of Roberto Mangabeira Unger’s The Religion of the Future: an argument for both spiritual and political revolution. It proposes the content of a religion that can survive without faith in a transcendent God or in life after death. According to this religion—the religion of the future—human beings can be more human by becoming more godlike, not just later, in another life or another time, but right now, on Earth and in their own lives. They can become more godlike without denying the irreparable flaws in the human condition: our mortality, groundlessness, and insatiability.