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Rape, Rage and Feminism in Contemporary American Drama
This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths--that women who dress provocatively invite sexual assault, for example--is well documented, along with equally frequent examples which dispute these myths.
Rape, Rage and Feminism in Contemporary American Drama
This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths—that women who dress provocatively invite sexual assault, for example—is well documented, along with equally frequent examples which dispute these myths.
Under Postcolonial Eyes
In the Western literary tradition, the "jew" has long been a figure of ethnic exclusion and social isolation--the wanderer, the scapegoat, the alien. But it is no longer clear where a perennial outsider belongs. This provocative study of contemporary British writing points to the figure of the "jew" as the litmus test of multicultural society. Efraim Sicher and Linda Weinhouse examine the "jew" as a cultural construction distinct from the "Jewishness" of literary characters in novels by, among others, Salman Rushdie, Anita Desai, Doris Lessing, Monica Ali, Caryl Philips, and Zadie Smith, as well as contemporary art and film. Here the image of the "jew" emerges in all its ambivalence, from po...
Hideous Characters and Beautiful Pagans
Shows how the earliest representations of Jewish characters on American stages mirrored treatment of Jewish Americans outside the playhouse
Jewish Women on Stage, Film, and Television
This book exposes and traces a previously unrecognized performance tradition of extraordinary Jewish women in the Diaspora, from Rachel and Sarah Bernhardt in Nineteenth Century France to Roseanne and Sandra Bernhard in late Twentieth Century America.
Wide-Open Town
Traces the history of gay men and lesbians in San Francisco, from the turn of the century, when queer bars emerged in San Francisco's tourist districts, to 1965, when a raid on a drag ball energized the gay community. Includes excerpts from oral histories of lesbians and gay men who have lived in San Francisco since the 1930s.
Hunting Africa
This book recovers the multiplicity of meanings embedded in colonial hunting and the power it symbolized by examining both the incorporation and representation of British women hunters in the sport and how African people leveraged British hunters' dependence on their labor and knowledge to direct the impact and experience of hunting.
Acting Jewish
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