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On May 10, 1861, Union troops surrounded Camp Jackson, a military encampment where Confederate leaders were accused of conspiring to seize the St. Louis Arsenal, the largest store of munitions west of the Mississippi. The state militia, which numbered more than 600 men, answered the call of Missouri's pro-Southern governor Claiborne Fox Jackson to assemble but found themselves outnumbered 10 to 1 and were forced to surrender. As federal forces marched them through St. Louis, an angry crowd gathered. Gunfire crackled, leaving more than 24 people dead. St. Louis epitomized the growing tensions between the North and South. The city's strategic position enabled James Eads's shipyards to build ironclads, Jefferson Barracks to muster troops, and Gratiot Street Prison to hold POWs. The list of notables with ties to St. Louis reads like a who's who of the Civil War: Robert E. Lee, Ulysses S. Grant, Jefferson Davis, William T. Sherman, Nathaniel Lyon, James Longstreet, George Pickett, and others.
After being forgotten for nearly 130 years, the “Mother of Suffrage in Missouri” and her husband are finally taking their rightful place in history. St. Louisans Virginia and Francis Minor forever changed the direction of women’s rights by taking the issue to the Supreme Court for the first and only time in 1875, a feat never eclipsed even by their better-known peers Susan B. Anthony and Elizabeth Cady Stanton. Yet despite a myriad of accomplishments and gaining notoriety in their own time, the Minors’ names have largely faded from memory. In 1867, Virginia founded the nation’s first organization solely dedicated to women’s suffrage—two years before Anthony formed the National ...
Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries . There is various ancient editions of the work, Mark Conrad’s translation is the first and the better to remain true to the original structure and essential style of the text. Conrad’s comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov’s enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Soldiershop edition add at this important work several new enriched and colorful plates, which together with the unedited publication in English make this collection extremely interesting !
A National Book Critics Circle Award Finalist 'Biography' A groundbreaking biography of the most pioneering and accomplished African-American writer of the nineteenth century. Born into slavery in Kentucky, raised on the Western frontier on the farm adjacent to Daniel Boone’s, “rented” out in adolescence to a succession of steamboat captains on the Mississippi and Missouri rivers, the young man known as “Sandy” reinvented himself as “William Wells” Brown after escaping to freedom. He lifted himself out of illiteracy and soon became an innovative, widely admired, and hugely popular speaker on antislavery circuits (both American and British) and went on to write the earliest Afri...
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically chan...
Shortly after Meriweather Lewis reached St. Louis in 1803 to plan for his voyage to the Pacific with William Clark, he prepared his first packet of flora and fauna from west of the Mississippi and dispatched it to President Jefferson. The cuttings, which were later planted in Philadelphia and Virginia, were supplied by Lewis's new French friend, Pierre Chouteau, who took them from a tree growing in the garden of his mansion. One of the best-known families in French America, the Chouteaus had guarded the gates to the West for generations and had built fortunes from fur trading, land speculation, finance, and railroads, and by supplying anything needed to survive in the region between the Miss...
Throughout history symbols have been used in a variety of ways, often playing important roles. Each state has its own representative symbols--ranging from seals, flags, and buildings to rocks, minerals, plants, and animals--but how did they come to be chosen? In Catfish, Fiddles, Mules, and More, John C. Fisher provides an answer to that question for Missourians with a handy reference on the various official symbols of the state.Fisher explores each of the symbols adopted by the legislature as well as the state nickname and the legislative process in Missouri. A chapter is devoted to each symbol, providing information about when it was adopted, why it came to be considered as a state symbol,...
A far-ranging study of Whitman as a model of the nineteenth-century American writer.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.