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Perception and Agency in Shared Spaces of Contemporary Art
This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.
Space Shifters
Space Shifters features 20 leading international artists whose work addresses the intersections of perception, sculptural space and architecture.Beginning with the pioneering use of innovative sculptural materials in the 1960s, the exhibition (and this accompanying catalogue) explore the ways in which artworks engage or alter the viewer's perception of the surrounding architecture.The development of these concerns is traced over the course of the past four decades and concludes with artworks from the present day.Artists include: Jeppe Hein, Alicja Kwade, Roni Horn, Richard Wilson, Anish Kapoor, Yayoi Kusama, and Felix Gonzalez-Torres, among others.Published on the occasion of the exhibition, Space Shifters at Hayward Gallery, London (26 September 2018 - 1 June 2019).
The Insurmountable Darkness of Love
This text is a reflection on the meaning of spiritual darkness - especially those difficult places in human experience where meaning seems to elude us, where we are emptied out and are compelled to dig deeper into who we truly are. Douglas E. Christie takes up this facet of experience, in ordinary human experience, but also in relation to the Christian contemplative and mystical traditions, where such experience is often understood to be both painful and transformative, allowing the mind and heart to open in love.
MoMA Goes to Paris In 1938
"The book considers MoMA's first international exhibition, Three Centuries of American Art, on view in Paris in 1938. With over 750 artworks across media dating from 1609 to 1938, the exhibition displayed the politicization of American art and a museum's impact on the formation of American art history. It was the US government's first interaction with MoMA to use art to advance foreign policy. The book answers a fundamental question: How did Three Centuries locate and offer the heterogeneous mix that was American culture in the 1930s to an international audience grappling with its own political instabilities?"--
Josef Albers, Late Modernism, and Pedagogic Form
"In this book, Jeffrey Saletnik explores influential artist and pedagogue Josef Albers's teaching practices. The pedagogy Albers developed at the Bauhaus, Black Mountain College, and Yale consisted in a dynamic approach to teaching that transcended modernist agendas: it involved a set of ideas and practices that cultivated a material way of thinking among his students, which included notable future artists such as Eva Hesse and Richard Serra. By using exercises including paper folding, cutting, and collage, Albers tried to generate a form of "productive disorientation" in his students, teaching them problem-solving strategies to explore new conceptions of composition and color. Saletnik begi...
Site, Dance and Body
How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments? This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how ‘site-based body practice’ can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.
Isa Genzkens »Ground Zero«
Die Werkserie »Ground Zero« der Künstlerin Isa Genzken entstand im Jahr der Weltwirtschaftskrise 2008 und gehört zu ihren zentralsten Arbeiten. Wie reflektieren ihre Assemblagen die traumatische Dimension von 9/11? Und wie kann der ironisch-kritische Kommentar einer Bildhauerin auf die Geschichte des Wiederaufbaus des World Trade Centers in New York genauer verstanden werden? Gerald Schröder legt erstmals eine ausführliche Analyse dieser Werkserie mit ihren vielfältigen Bezügen zu Bildender Kunst und Architektur vor, die er vor dem Hintergrund eines zunehmend fragil erscheinenden postfordistischen Wirtschaftssystems interpretiert.
Phenomenal
During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, ex...
Art
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
