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Deadhead Social Science is a collection of papers examining various aspects of the complex subculture surrounding the rock band, the Grateful Dead. Deadheads, as Grateful Dead fans are called, followed the band from venue to venue until the band announced their dissolution in December of 1995 and have continued to follow bands including various surviving members of the Grateful Dead since then. Deadhead Social Science addresses the questions: What is a Deadhead? How does a Deadhead identity evolve? Why would a person choose an identity that would be viewed negatively by a larger society? Why are Deadheads viewed negatively by the larger society? Is the Deadhead community a popular religion? How did a rock band develop a religious following? The book also examines the music, the role of vendors, and the reaction by "host" communities to the Grateful Dead and its following. One key theme in Deadhead Social Science is the interconnections among teaching, research, and personal interests written from a variety of social science disciplinary traditions.
The Grateful Dead-rock legends, marketing pioneers The Grateful Dead broke almost every rule in the music industry book. They encouraged their fans to record shows and trade tapes; they built a mailing list and sold concert tickets directly to fans; and they built their business model on live concerts, not album sales. By cultivating a dedicated, active community, collaborating with their audience to co-create the Deadhead lifestyle, and giving away "freemium" content, the Dead pioneered many social media and inbound marketing concepts successfully used by businesses across all industries today. Written by marketing gurus and lifelong Deadheads David Meerman Scott and Brian Halligan, Marketing Lessons from the Grateful Dead gives you key innovations from the Dead's approach you can apply to your business. Find out how to make your fans equal partners in your journey, "lose control" to win, create passionate loyalty, and experience the kind of marketing gains that will not fade away!
The Grateful Dead were one of the most fascinating rock bands and cultural phenomena of the twentieth century. Despite having few mainstream hits, from 1965 to 1995 the Dead blazed an extraordinary incendiary trail across the rock firmament. Exploding from the roots and folk scene of the early 1960s, the Dead went on to provide the soundtrack to the Dionysiac revels of the burgeoning counterculture. Their history is the history of the modern American Revolution in the years of rage and rebellion, which were to change the country forever. Here is the band's full story. Not just a brilliant rock biography, it forms a compelling portrait of America's West Coast from the halcyon days of Magic Buses and Merry Pranksters to the corporate dawn of the twenty-first century.
The Dead's music reflected the people's tide of emotions and changing lives throughout the 1960s. Allen updates the Grateful Dead's history through the fall of 2013. He provides a thorough account of the Dead's career, from their inception, through the death of Jerry Garcia, and on to their incarnations over the years.
"In collaboration with Grateful Dead Productions"--Cover.
This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center s...
A huge collection of 76 titles, in lead-line format with guitar chords. Including: Bertha * Black Peter * Casey Jones * Cats Under the Stars * China Cat Sunflower * Cumberland Blues * Dire Wolf * Eyes of the World * Friend of the Devil * Mississippi Half-Step . . . * New Speedway Boogie * Run for the Roses * Saint Stephen * Sugaree * Tennessee Jed * Touch of Grey * Uncle John's Band and many, many more.
Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity. Music tourism evokes nostalgia and meaning, and celebrates both heritage and hedonism. It is a product of commercialisation that can create community, but that also often demands artistic compromise. Diverse case studies, from the USA and UK to Australia, Jamaica and Vanuatu, illustrate the global extent of music tourism, its contradictions and pleasures.
"Roth Family Foundation Music in America imprint"--First page.