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Sea-changes: Melville - Forster - Britten
E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirmsthe Forsterian creed of salvation through personal relationships.This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his lifewritings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.
Hayek: A Collaborative Biography
Hayek claimed that he always made it his rule ‘not to be concerned with current politics, but to try to operate on public opinion.’ However, evidence suggests that he was a party political operative with ‘free’ market scholarship being the vehicle through which he sought – and achieved – party political influence. The ‘main purpose’ of his Mont Pelerin Society had ‘been wholly achieved’. Mises promoted ‘Fascists’ including Ludendorff and Hitler, and Hayekians promoted the Operation Condor military dictatorships and continue to maintain a ‘united front’ with ‘neo-Nazis.’ Hayek, who supported Pinochet’s torture-based regime and played a promotional role in ‘...
1981
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Die Macht der Musik
English summary: John Dryden's poem Alexander's Feast or The Power of Music - an Ode in Honour of St. Cecilia's Day (1697) was highly praised by critics and set to music by Georg Friedrich Handel in 1736. The musical version, too, was a celebrated work of art. Even though the poem was written for St. Cecilia's Day, it is set not in the Christian era but in the time of Alexander the Great after his conquest of the Persian capital Persepolis. This collection of essays explores the piece from different perspectives (English Literature, Classical Philology, Musicology, Theology) and provides new results gained from interdisciplinary studies. Special attention is paid to the relationship between ...
