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Los Angeles music journalist Dean Goodman sneaks you backstage to hang with righteous reporters, paranoid publicists, and surly stars. "Strange Days" documents unusual encounters with 22 musicians and bands, from a tearful David Bowie and a gloomy Michael Hutchence, to warring members of the Doors, Aerosmith, Guns N' Roses and Lynyrd Skynyrd
(Book). Artimus Pyle, a Marine, a Rock and Roll Hall of Fame inductee, and the "Wild Man" of southern rock, is one of the last surviving members of Lynyrd Skynyrd. He played drums with the band during its seventies heyday. He is the first bandmate to write about the tortuous rise and tragic fall of the Jacksonville hell raisers, offering detailed insights into the band's complex personalities and anthemic music. Packed with anecdotes of booze-fueled violence and destruction, he also lays out the exquisite musicianship and sheer hard work that transformed Lynyrd Skynyrd into one of America's greatest rock 'n' roll bands. It all came to an end on October 20, 1977, when four shows into a world ...
Music journalist Dean Goodman sneaks you backstage to hang with surly stars, paranoid publicists, and righteous reporters in Strange Days: The Adventures of a Grumpy Rock 'n' Roll Journalist in Los Angeles. Strange Days documents unusual encounters with 22 musicians and bands, from a tearful David Bowie, a combative Phil Collins, and a gloomy Michael Hutchence to warring members of Aerosmith, the Doors, Guns N' Roses and Lynyrd Skynyrd. It also details the nuts-and-bolts of music journalism: deep research, the thrill of a successful interview, the agony of a disastrous one, the drudgery of transcribing the contents, and relief at turning the nuggets of wisdom into a story.
Possibly the most influential figure in the history of American letters, William Dean Howells (1837-1920) was, among other things, a leading novelist in the realist tradition, a formative influence on many of America's finest writers, and an outspoken opponent of social injustice. This biography, the first comprehensive work on Howells in fifty years, enters the consciousness of the man and his times, revealing a complicated and painfully honest figure who came of age in an era of political corruption, industrial greed, and American imperialism. Written with verve and originality in a highly absorbing style, it brings alive for a new generation a literary and cultural pioneer who played a ke...
A biography of Britain's centre of power and royal ceremony, evoking place, people and time.
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.