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Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other st...
Unemployed university professor Tyler Marsh is pounding the pavement looking for a job. Disillusioned with academia, she’s aiming for an analyst’s spot in the private sector but after a year of rejections based on her over-qualification, she’s dumbed down her resume in a desperate attempt to get her foot in the door somewhere—anywhere! When Buffalo’s leading marine engineering firm offers her a low-level placement as a personal assistant, she’s sure it can’t get any worse, until she meets the woman she will be working for. Chief Innovation Officer and wounded veteran Georgie DiNamico doesn't want an assistant or anyone else bothering her. She has her work, her dog, and her nigh...
Four women are about to embark on an emotional voyage that will be the ultimate test of love and loyalty. Will it end in smooth sailing—or leave four hearts hopelessly adrift? Despite dealing with family dynamics that can be one tent short of a circus, the future looks bright for Tyler Marsh and Georgie DiNamico. Deeply in love, the two are also deeply committed to the success of the DiNamico-Phipps Company of DynaTech, a leading marine engineering firm headquartered in Buffalo, NY. Georgie's steady recovery from the head injury she suffered in Afghanistan—and the company's survival of a hostile takeover attempt—means the couple can finally concentrate on planning their wedding. Or so ...
Conflict and crisis communication is the management of a critical incident which has the potential for resolution through successful negotiations. This can include negotiating with individuals in crisis, such as those threatening self-harm or taking individuals hostage as part of emotional expression, and also critical incidents such as kidnapping and terrorist activities. By focusing on the empirical and strong theoretical underpinnings of critical incident management, and including clear demonstrations of the practical application of conflict and crisis communication by experts in the field, this book proves to be a practical, comprehensive and up-to-date resource. Discussion of relevant p...
Ken Follett wrote his first international bestseller, Eye of the Needle, when he was 25 years old. He has since been one of the most consistent international best-selling authors, with approximately 130 million copies of his books sold worldwide. His manifold influences on the thriller genre includes the pioneering use of strong female characters in espionage stories and the development of the historical thriller as a new form of novel, exemplified by Winter of the World (2012). This book is an investigation of Follett's development as an author, and of the craft of writing and the negotiation of serious versus popular literary value, from his earliest short stories and screenplays through his mature thrillers and entertainment fiction. Unpublished materials are also considered, including his notes, business and personal correspondence, unpublished drafts, journal entries and outlines. Follett's dramatic shift to writing historical fiction may be his most enduring legacy.
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These essays examine "film noir" in the light of contemporary social and political concerns, attempting to move beyond the views of the early French critics. Topics range from the re-emergence of "noir" in films such as "Bladerunner", to the relations between the sexes and the role of women.
Siskiyou County Library has vol. 1 only.
A reissue of a significant and hard-to-find text in film studies with a new introduction and three additional essays included. Robin Wood, the renowned scholarly critic and writer on film, has prepared a new introduction and added three essays to his classic text Personal Views. This important book contains essays on a wide range of films and filmmakers and considers questions of the nature of film criticism and the critic. Wood, the proud "unreconstructed humanist," offers in this collection persuasive arguments for the importance of art, creativity, and personal response and also demonstrates these values in his analyses. Personal Views is the only book on cinema by Wood never to have been...