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One of the most popular plays of the 2014 NT Connections, the UK's highest-profile festival of theatre for young people.
The House They Grew Up In is a tender, dark and funny look at a co-dependent relationship between a brother and a sister, and how they cope when the world bursts in on them. It explores how, in an age of anxiety, we live alongside those different to us.
A painfully funny play about motherhood (and fatherhood), about keeping control, and about letting go.
Taking an intricate look at vitality and health in congregations based on information gathered from the 2001 U.S. Congregational Life Survey, the authors conclude that congregations have ten strengths, and that by building upon these strengths, congregations can transform their futures.
'When the barman pointed to the cordoned-off area I was like, who are all these old people at our reunion?' It's been thirty years since former flames Alex and Jason last saw each other. With their carefree university days long behind them, the student reunion seems the perfect opportunity to reconnect, revive and relive their heyday. But as they flirt with reigniting their passion - even if just for one night - will the march of time get in the way? Deborah Bruce's Raya is a witty and tender play about whether or not we can ever turn back - or stop - the clocks. It opened at Hampstead Theatre Downstairs, London, in June 2021, directed by the theatre's Artistic Director, Roxana Silbert. Deborah Bruce's other plays include Godchild, The Distance and The House They Grew Up In.
Lou is getting on with her life, carefree and without ties. But this abruptly comes to a halt when her 19-year-old god-daughter Minnie moves in to take up a place at university. Minnie's arrival shines a harsh light into the corners of Lou's life - revealing it to be not as it seems. Her relationships are complicated, her neighbours are closing in on her, and the clock is ticking. What does it mean to be a grown up?
From the Edgar-nominated author Bruce Hale comes a hilarious story of a boy and a dog...who become a dog and a boy Who's a good boy?Twelve-year-old Parker Pitts hates a mess. Ever since his grandmother died, he's much more comfortable when things are organized: He scrubs the kitchen counters at home, avoids the school bully at all costs, and never even speaks to Gabriella Cortez, the most interesting girl in the sixth grade. No muss, no fuss, no complicated feelings to worry about.But now Parker's older sister is traveling abroad for the semester, leaving behind her obnoxious and extremely disorderly goldendoodle, Boof, for Parker to manage. Man's best friend? More like boy's worst nightmare!When an intense round of tug-of-war leaves both dog and boy with bumped heads, Parker and Boof wake up to the biggest disaster yet: they've switched bodies! Suddenly Boof has to find his way through a school day and Parker has to...eat dog food?!It's a mess of truly epic proportions. Can Parker and Boof clean it up -- together?
Major figures in contemporary anthropology present a dialogic critique of ethnography. Moving beyond sociolinguistics and performance theory, and inspired by Bakhtin and by their own field experiences, the contributors revise notions of where culture actually resides. This pioneering effort integrates a concern for linguistic processes with interpretive approaches to culture. Culture and ethnography are located in social interaction. The collection contains dialogues that trace the entire course of ethnographic interpretation, from field research to publication. The authors explore an anthropology that actively acknowledges the dialogical nature of its own production. Chapters strike a balance between theory and practice and will also be of interest in cultural studies, literary criticism, linguistics, and philosophy. CONTRIBUTORS: Deborah Tannen, John Attinasi, Paul Friedrich, Billie Jean Isbell, Allan F. Burns, Jane H. Hill, Ruth Behar, Jean DeBernardi, R. P. McDermott, Henry Tylbor, Alton L. Becker, Bruce Mannheim, Dennis Tedlock
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