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This collection of poems is the winner of the 1995 first-book competition in the Texas Tech University Press Poetry Award series.These poems about a young woman leaving Italy for the United States in the 1950s examine both the small town and urban landscape of a uniquely American experience."Anna and the Steel Mill is a work of great range and maturity. These poems are struck like matches—out of the small frictions in these poems arise gentle flames, but also raging fires."—Jim DanielsSpare ChangeCrossing Spruce Street, I was bending like a peddlerunder my laundry and three loaves of day-old-breadShe held her sleeping daughter, asked for change for milk,and diapers to soak up what the baby couldn't use.I'd spent my change on laundry tokens, flat imitationsrattling in my hand. I offered bread; she needed cash;we stared at the broken street, as if we hoped to seea table spread with laundered white, with knives and basketsready for the strong bread that, broken openwould release a blessing in the smell of yeast.
Some people think that a cookbook is just a collection of recipes for dishes that feed the body. In Eat My Words: Reading Women's Lives through the Cookbooks They Wrote, Janet Theophano shows that cookbooks provide food for the mind and the soul as well. Looking beyond the ingredients and instructions, she shows how women have used cookbooks to assert their individuality, develop their minds, and structure their lives. Beginning in the seventeenth century and moving up through the present day, Theophano reads between the lines of recipes for dandelion wine, "Queen of Puddings," and half-pound cake to capture the stories and voices of these remarkable women. The selection of books looked at i...
In A Deed To the Light Jeanne Murray Walker asks probing questions about the depth of grief, about letting go, and about the possibility of faith. Her poems have been described by John Taylor, writing in Poetry, as "splendid, subtly erudite, uplifting, and funny."
Chariton Review Fall 2011
These poems explore the experience of a long marriage, and a decade of living at a distance. They ask how this love began, and how it might end.
Haven't we all been told how beauty is thin as truth? And don't we believe and disbelieve this "lie we'd carve and starve for. / We'd suck it till the juice ran down our arms"? Skin compels us, repels us. Beauty may be only skin deep, a fine covering--sensuous, at times translucent, almost transparent, and yet so obdurate. Skin insulates, guarding its vital organs just beneath this surface that teases us to peek, to try to penetrate. We call this desire by many names, the best of which is love. April Lindner's sensuously orchestrated collection of poems conveys the beauty and truth of love, how we know it to be paradoxical, obsessive, fearful, rapacious, holy.--Robert FinkFontanelHere's the ...
Over the years, Pennsylvania has been graced with an abundance of writers whose work draws imaginatively on the state&’s history and culture. Common Wealth sings the essence of Pennsylvania through contemporary poetry. Whether Pennsylvania is their point of origin or their destination, the featured poets ultimately find what matters: heritage, pride, work, inventiveness, struggle, faith, beauty, hope. Keystone poets Marjorie Maddox and Jerry Wemple celebrate Pennsylvania with this wide range of new and veteran poets, including former state poet Samuel Hazo, National Book Award winner Gerald Stern, Pulitzer Prize winners Maxine Kumin, W. S. Merwin, and W. D. Snodgrass, and Reading-born mast...
The twelfth volume of poems in the Walt McDonald First-Book Series, Gregory Fraser's Strange Pietà is a compelling exploration of illness and family life, memory and desire, friendship and loss. A major focus of the collection is the poet's relationship to his brother Jonathan, who was born with spina bifida, a disease that rendered him both physically and mentally disabled. In rich and often wrenching detail, Fraser describes the emotional turmoil, familiar dysfunction, and complex social responses arising from the birth of a handicapped child.The book examines cultural standards of normalcy, and uncovers those aspects of the self and others that are often considered freakish, unnatural, o...
In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of w...