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Ann Radcliffe
Arguably the most popular novelist of her day and the mother of the female Gothic literary tradition, Ann Radcliffe (1764-1823) has received varying amounts of critical attention and is now being recognized for her important contribution to English literature. This volume recounts what little is known about her life and provides an extensive bibliographic overview of works by and about her. Included are annotated entries for editions and translations, reviews, critical studies of Radcliffe, and adaptations of her works. Ann Radcliffe wrote some of the most electrifying and popular novels of her day. Not only is she one of the most important Mothers of the novel, she almost singlehandedly dev...
The Matrophobic Gothic and Its Legacy
Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same ...
The Critical Response to Ann Radcliffe
Ann Radcliffe was one of the most influential women writers of the 18th century. Best known as the author of The Italian and The Mysteries of Udolpho, she contributed to the rise of the English novel and the development of the female gothic. This book brings together, for the first time, almost one hundred documents on her work, including contemporary reviews, letters, diary entries, the most important critical assessments, and several new pieces. The volume begins with an extensive introductory essay on Radcliffe's work and the critical reception of it. The chapters that follow consist of chronologically arranged critical analyses of particular works by Radcliffe. Several chapters then present general critical responses to her writings. The book concludes with a bibliography of selected additional readings.
Bookseller as Rogue
Based on archival research, this fascinating new work represents the first full-length biography of John Almon, the most important political bookseller of the second half of the eighteenth century. Using Almon as a case study, Deborah Rogers examines the way in which political pressure on booksellers affected the literature of the period. Bookseller as Rogue chronicles Almon's relationships with such important politicians as Richard Grenville (Earl Temple), John Wilkes, John Calcraft, Edmund Burke, and Benjamin Franklin. Rogers also analyzes Almon's libel trials, his fight for freedom of the press, and his efforts on behalf of the American Revolution. A valuable appendix catalogues works issued under Almon's imprint.
Love and Ideology in the Afternoon
"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism -- so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.
The Prose of Things
Virginia Woolf once commented that the central image in Robinson Crusoe is an object—a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and represen...
Religious Horror and the Ecogothic
Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.
English Writers
English Writers - A Bibliography with Vignettes
A Historical and Genealogical Register of John Wing, of Sandwich, Mass
John Wing married Deborah Batchelder, and the family immigrated in 1632 from England to Sandwich, Massachusetts. Descendants and relatives lived in New England, New York, Pennsylvania, Illinois, Wisconsin and elsewhere.
Diderot Studies
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