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The Limits of the Human
In this book, Felicity Nussbaum examines literary and cultural representations of human difference in England and its empire during the long eighteenth century. With a special focus on women's writing, Nussbaum analyzes canonical and lesser-known novels and plays from the Restoration to abolition. She considers a range of anomalies (defects, disease, and disability) as they intermingle with ideas of femininity, masculinity, and race to define 'normalcy' as national identity. Incorporating writings by Behn, Burney, and the Bluestockings, as well as Southerne, Shaftesbury, Johnson, Sterne, and Equiano, Nussbaum treats a range of disabilities - being mute, blind, lame - and physical oddities such as eunuchism and giantism as they are inflected by emerging notions of a racial femininity and masculinity. She shows that these corporeal features, perceived as aberrant and extraordinary, combine in the popular imagination to reveal a repertory of differences located between the extremes of splendid and horrid novelty.
For People, Not for Profit
Thomas Martorellis For People, Not for Profit tells the story of Fenway Healths growth from a small, volunteer-run walk-in clinic to an international leader into an international leader in care and research for the lesbian, gay, bisexual and transgender (LGBT) community and people living with HIV/AIDS. It is also the story of the tremendous societal changes that drove and affected that growth. The community activism and volunteer collectives of the 1970s; the devastation of the HIV/AIDS epidemic which emerged in the 1980s; the LGBT civil rights movement that gained strength and momentum through the 1990s; and the advances in research and advocacy that have brought so many health care and civil rights victories in the 2000s its all there. At the same time, Martorelli tells us Fenways story through the voices of the people who were and are still a part of this incredible organization from the early ups and downs through Fenways growth into one of the largest LGBT health organizations in the world.
Victorian Literature and the Anorexic Body
Anna Krugovoy Silver examines the ways nineteenth-century British writers used physical states of the female body - hunger, appetite, fat and slenderness - in the creation of female characters. Silver argues that anorexia nervosa, first diagnosed in 1873, serves as a paradigm for the cultural ideal of middle-class womanhood in Victorian Britain. In addition, Silver relates these literary expressions to the representation of women's bodies in the conduct books, beauty manuals and other non-fiction prose of the period, contending that women 'performed' their gender and class alliances through the slender body. Silver discusses a wide range of writers including Charlotte Brontë, Christina Rossetti, Charles Dickens, Alfred Lord Tennyson, Bram Stoker and Lewis Carroll to show that mainstream models of middle-class Victorian womanhood share important qualities with the beliefs or behaviours of the anorexic girl or woman.
Transgender Nation
Looks at the male-to-woman transgenderist and transsexual from a sociological and sociopolitical perspective, arguing that it is not the individual transgenderists who are sick and need treatment, but the society that condemns them. Considers the history of the transgender movement, categories of sex, and contemporary medical and popular ideology. No index. Paper edition (unseen), $14.95. Annotation copyright by Book News, Inc., Portland, OR
Elizabeth Singer Rowe and the Development of the English Novel
Elizabeth Singer Rowe played a pivotal role in the development of the novel during the eighteenth century. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Elizabeth Singer Rowe and the Development of the English Novel is the first in-depth study of Rowe’s prose fiction. A four-volume collection of her work was a bestseller for a hundred years after its publication, but today Rowe is a largely unrecognized figure in the history of the novel. Although her poetry was appreciated by poets such as Alexander Pope for its metrical craftsmanship, beauty, and imagery, by the time of her death in 1737 she was better known for her fiction. According to Paula R. Backscheider, Rowe's...
Germaine de Staël in Germany
Germaine de Staël and German Women: Gender and Literary Authority (1800-1850) investigates Staël's significance as an icon of female artistic genius and political engagement for two generations of German women, including Caroline A. Fischer, Caroline Pichler, Johanna Schopenhauer, Bettina von Arnim, Ida Hahn-Hahn, and Luise Mühlbach. These authors drew a significant impetus from Staël's exemplary life and writings, especially her influential novels of political and artistic heroines, Delphine (1802) and Corinne, or Italy (1807), referring to them in order to authorize their own discourses on art and politics, and to buttress their identity as writers in a period when female authorship ge...
Freud
Sigmund Freud had broad ambitions about what psychoanalysis could add to human thought. But Freutfs own writings have rarely been assessed within the perspective of political philosophy. Political theorists will find in the school Freud established a rich storehouse of ideas. For us to link up with what Freud was saying means to join in the great conversation about what the ends of the just society should be, as well as what a fully developed person might be like. Written more than twenty years ago, the central interpretive theses found in "Freud: Political and Social Thought "still ring true. In his new introduction to this classic text, Paul Roazen contends that today, from the point of vi...
Broken Time, Fragmented Space
Examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country.
'Essenced to Language'
Rosenberg was more than just a war poet. A general failure to take this into consideration has contributed to the belated recognition of the distinctions of his work. A working-class London Jew, he schooled himself, long before the Great War, to respond to issues of class, culture, art and poetry; a combination of dependency and self-sufficiency which sustains his mature work, and which gave him a sense of himself as an Anglo-Jewish poet. To illuminate Rosenberg, Nayef Al-Joulan considers the conditions of the Jewish community in the East End of London at the turn of the century and examines the writer's attitudes to the Zionism in vogue. He also investigates striking echoes of Freudian psychology in Rosenberg's work. Tracing Rosenberg's working-class literary heritage, Al-Joulan underlines a modern Jewish insight that has parallels with Marx and Freud and therefore uncovers the role class and race played in the critical marginalising of Rosenberg. The book concludes by examining Rosenberg's cognitive ekphrasis, his idea of language as a vehicle for mental essence, a perception rooted into the painter's mind.
Reading Alice Munro’s Breakthrough Books
What in terms of Alice Munro’s creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro’s career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. Our volume therefore provides a carefully orchestrated analysis of Munro’s subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism – and, by extension, in all short story criticism – but, equally importantly, offers an exciting new model for how criticism can be collectively written.
