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More than Petticoats: Remarkable Vermont Women celebrates the women who shaped the Green Mountain State. Short, illuminating biographies and archival photographs and paintings tell the stories of women from across the state who served as teachers, writers, entrepreneurs, and artists.
In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-c...
Pulitzer Prize Finalist: “A stunning work of biography” about three little-known New England women who made intellectual history (The New York Times). Elizabeth, Mary, and Sophia Peabody were in many ways the American Brontës. The story of these remarkable sisters—and their central role in shaping the thinking of their day—has never before been fully told. Twenty years in the making, Megan Marshall’s monumental biography brings the era of creative ferment known as American Romanticism to new life. Elizabeth Peabody, the oldest sister, was a mind-on-fire influence on the great writers of the era—Emerson, Hawthorne, and Thoreau among them—who also published some of their earlies...
From its origins in the 1750s, the white-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. But by the 1850s, the population of enslaved Americans had increased exponentially, and such legislative efforts as the Fugitive Slave Act and the Supreme Court's 1857 ruling in the Dred Scott case effectively voided any rights black Americans held as enslaved or free people. As conditions deteriorated for African Americans, black abolitionist leaders embraced violence as the only means of shocking Northerners out of their apathy and instigating an antislavery war. In Force and Freedom, Kellie Carter Jac...
"Lydia Maria Child (1802-1880) was for a time one of America's most beloved authors, known for household manuals and children's poems, including the immortal "Over the River and Through the Wood." But in 1833, having converted to the abolitionist cause, Child published An Appeal in Favor of that Class of Americans Called Africans, the first book-length condemnation of slavery printed in the United States. Child's book created an immediate uproar and catapulted her into the life of an activist. Lydia Maria Child became one of the most consequential radicals of nineteenth-century America. In this biography of Child, Lydia Moland foregrounds Child's struggles of conscience and the meaning they ...
Nicholas Guyatt offers a completely new understanding of a central question in American history: how did Americans come to think that God favored the United States above other nations? Tracing the story of American providentialism, this book uncovers the British roots of American religious nationalism before the American Revolution and the extraordinary struggles of white Americans to reconcile their ideas of national mission with the racial diversity of the early republic. Making sense of previously diffuse debates on manifest destiny, millenarianism, and American mission, Providence and the Invention of the United States explains the origins and development of the idea that God has a special plan for America. This conviction supplied the United States with a powerful sense of national purpose, but it also prevented Americans from clearly understanding events and people that could not easily be fitted into the providential scheme.
Focusing on a range of important antislavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy.
For this absorbing portrait of his mother, David Chandler drew on hundreds of letters that she sent and received, on his own warm memories, and the many and copious medical records from her hospitalizations in 1937 and 1963, afflicted with what were then called nervous breakdowns. Gabrielle Chanler, nicknamed Bebo as a small child, was born into the upper reaches of New York society, deftly described in the novels of Edith Wharton, a life-long friend of Bebo's mother. Educated at a Catholic boarding school in London and in art schools in New York and Paris, Bebo added a "d" to her name when she married Porter Chandler, a lawyer who later became a became a partner in a New York law firm. Davi...
It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will ...