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Shame the Devil
Finalist for the 2011 ForeWord Book of the Year in the Historical Fiction Category "There may be married people who do not read the morning paper. Smith and I know them not ... It is not too much to say the newspapers are one of our strongest points of sympathy; that it is our meat and drink to praise and abuse them together; that we often in our imagination edit a model newspaper, which shall have for its motto, 'Speak the truth, and shame the devil.'" — Fanny Fern Shame the Devil tells the remarkable and true story of Fanny Fern (the pen name of Sara Payson Willis), one of the most successful, influential, and popular writers of the nineteenth century. A novelist, journalist, and feminis...
A Fanny Fern Reader
In the middle of the nineteenth century, the highest paid and most famous newspaper writer in the US was a woman known to the world as Fanny Fern, the nom de plume of Sara Payson Willis. A Fanny Fern Reader features a selection of Fern's columns, mostly from her years as a weekly columnist for the New York Ledger, along with an introduction that shares the remarkable story of Fern's perseverance and success as a woman in a male-dominated profession. For readers in her own time, Fern's frank and unbridled social commentary and boldly satirical voice made her a household name. Fern's subversive and witty commentary about social mores, gender roles, childhood, authorship, and family life transcend time and continue to resonate with and entertain readers today. A Fanny Fern Reader is the most extensive collection of Fern's newspaper writings to date and includes several works that have been out of print for over a century, making this author's writing on a wide range of issues accessible for readers within and outside of classrooms and academic settings.
The Horse Lover
The Horse Lover is H. Alan Day’s personal history of the first government-sponsored wild horse sanctuary, with its surprises and pleasures and its plentiful dangers, frustrations, and heartbreak.
Phoebe
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Nancy Hale
Fiction. Literary History & Criticism. Edited by Dan Chaon, Norah Hardin Lind, and Phong Nguyen. This third volume in the Pleiades Unsung Masters Series focuses on 1930s and 40s fiction writer Nancy Hale, whose stories helped shape the early identity of The New Yorker. By her death in 1988, Hale had slipped into obscurity, and all but one of her more than 30 books were out of print. Featuring seven of Hale's best stories and essay on her work by Ann Beattie, Debra Brenegan, Trudy Lewis, Anne Freeman, G. Thomas Tanselle, and John Beebe, this books makes the case for Hale's continuing importance to American literature.
Short Story America
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Mother Shock
According to Andrea Buchanan, "Mother shock" is the state in which many new parents exist during those first confusing, chaotic and often comical years of parenting. It is the clash between expectation and result, theory and reality. It is the twilight zone of 24-hour-a-day living; where life is no longer neatly divided into day and night; the triple-impact of hormonal imbalance, sleep deprivation, and physical exhaustion. It is the stress of trying to acclimate quickly to the immediacy of mothering; a new conception of oneself, one’s role in the family and in the world; a fearful new level of responsibility, and a new delegation of domestic duties. In this much-needed and delightfully funny collection of essays, Buchanan shares the insight she gains as she moves through the stages of mother shock. From "Fear of the Double Stroller" and "Confessions of a Bottle Feeder" to "I’m an Idiot" and "Everything I Needed to Know I Learned in Playgroup," Buchanan details the unimaginably difficult and unbelievably rewarding process of becoming a mother.
The Universe Playing Strings
Music is the heartbeat of this novel about the world of hometown musicians--the jamming venues, the contests, the onstage cues, the subtle rules. The story focuses on four musicians: Carl Bradshaw, an aging Oklahoma fiddler; Amy Chandler, a young dumpling who can outpick most guitarists; Jack Martin, who lives in the shadow of a successful father; and Cora, an older woman on the edge of a world she believes can't be hers. The novel's structure reflects the sets of a performance on stage, with smaller sections that serve to introduce the musicians. Song titles, phrases, and sounds are part of the language, as are the characters' styles in speaking about music, creating it, and performing it. With its winning evocation of the joy of playing together, The Universe Playing Strings will remind readers of the movies Once and Crazy Heart.
