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« Au secours! C’est Fleurette, la mouffette fantà ́me! » crie Cléo pour faire une blague à ses amis. Mais lorsqu’elle a vraiment besoin de leur aide, ils ne la croient plus!
Poland's strong Catholic faith engendered in its literature a lively awareness of the Devil and a love of the supernatural. The Devil is a popular figure in Polish fantastic fiction, and we see him in many different roles and guises: from the personification of pure malice to a pitiful, unfortunate individual and even a patriotic hero. The Dedalus Book of Polish Fantasy offers the best of this tradition from the Romantics to the new generation of authors writing in post-communist Poland.
A book which should appeal to both literary theorists and to readers of the novel, this study invites the reader to consider how the plot reflects the patterns of human destiny and seeks to impose a new meaning on life.
This work traces absinthe's cultural origins as a herbal tonic through its morbid heyday in the late 19th century and the Absinthe Murders in 1905. After giving the pharmacology of absinthe, the book deals with the modus operandi of drinking it.
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Il terzo, attesissimo titolo della serie Ulysses Moore in versione economica.
Stillorgan: Old and New covers the story of a unique suburb in South Dublin. Until the 1960s, the district was largely rural, with many farms and a scattering of big houses, but few people lived there. The Stillorgan shopping center was opened in 1966—the first in Ireland—and shortly afterwards, the Stillorgan Bowl was opened. In the 1960s, large-scale housing development began; and since then, Stillorgan has become a major residential area in South Dublin with a wide variety of shopping and leisure outlets.
Seeking to destroy the Torch, an evil tool used for wanton destruction by the bloodthirsty leader of Vietnam's Floating City, Nicholas Linnear must confront his own personal demons in order to reach his target.
Reading on the Edge explores the notion of multiple cultural identity and exile in the work of Marcel Proust, James Joyce, and James Baldwin. Focusing on the cultural politics of modernism through the prism of cultural theory, the book reconceives each author's work while at the same time redrawing modernism's traditionally Eurocentric disciplinary boundaries. The book therefore has wide implications for our understanding of modernism and the modernist canon.