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Early Skepticism and its founder, Pyrrho of Elis, were introduced to the world in the third century BCE by the poet and philosopher Timon of Phlius. This is the first book-length study in English of the fragments of Timon’s works. Of his more than 100 titles, four fragments remain of a catalogue elegy, the Indalmoi, and 133 verses of the Silloi, a hexameter parody in three books in which Timon ridicules philosophers of all periods whom he observes on a trip to Hades. Dee L. Clayman reconstructs the books of the Silloi starting from an outline in Diogenes Laertius and the book numbers assigned to a few fragments by their sources. This has not been attempted since Wachsmuth’s edition of 18...
A sophisticated portrait of a formidable, yet relatively unknown, queen in the 200-year power struggle that followed the death of Alexander the Great.
The prolific scholar-poet Callimachus of Cyrene spent his career at the royal court and great Library at Alexandria. Creatively reworking the language and generic properties of his predecessors, Callimachus developed a distinctive style, learned and elegant, that became an important model for subsequent poets both Greek and Roman.
Brill's Companion to Theocritus offers an up-to-date guide to a thorough understanding of Theocritus’ literary output. Exploring his corpus from a variety of novel perspectives, it presents a detailed account of the intricacy of Theocritus’ poetic art.
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This volume is devoted to Hellenistic poetry in the context of the contemporary world of third century Alexandria and beyond. This topic fits in with the increasing interest in the role of literature in ancient society in recent research, which has already been applied successfully to various aspects of Hellenistic poetry. The subject also has an added interest because for a long time there has been a tendency to regard this kind of poetry as art for art's sake, a kind of autonomous poetry and display of virtuosity among scholar-poets, who indulged in being as sophisticated as possible without being in touch with the real world. This view has been rightly challenged in recent years and the articles in this volume reflect this new approach, as the authors investigate the ways in which Hellenistic poetry, played a part in its social and cultural context.
Berenice II (c. 264-221 BCE), daughter of King Magas of Cyrene and wife of Ptolemy III Euergetes, came to embody all the key religious, political, and artistic ideals of Ptolemaic Alexandria. Though she arrived there nearly friendless, with the taint of murder around her, she became one of the most accomplished and powerful of the Macedonian queens descended from the successors of Alexander the Great. She was at the center of a group of important poets and intellectuals associated with the Museum and Library, not the least of which was Callimachus, the most important poet of the age. These men wrote poems not just for her, but about her, and their eloquent voices projected her charisma widel...
Language and style of epigram is a topic scarcely discussed in the related bibliography. This edition aspires to fill the gap by offering an in-depth study of dialect, diction, and style in Greek literary and inscribed epigram in a collection of twenty-one contributions authored by international scholars. The authors explore the epigrammatic Kunstsprache and matters of dialectical variation, the interchange between poetic and colloquial vocabulary, the employment of hapax legomena, the formalistic uses of the epigrammatic discourse (meter, syntactical patterns, arrangement of words, riddles), the various categories of style in sepulchral, philosophical and pastoral contexts of literary epigrams, and the idiosyncratic diction of inscriptions. This is a book intended for classicists who want to review the connection between the stylistic features of epigram and its interpretation, as well as for scholars keen to understand how rhetoric and linguistics can be used as a heuristic tool for the study of literature.
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Reports for 1980-19 also include the Annual report of the National Council on the Arts.