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Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars, off screen they were legends. This is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests--indeed, acts so outrageous that if ordinary mortals had perpetrated them they would have ended up in jail. They got away with the kind of behavior that today's film stars could scarcely dream of, because of their mercurial acting talent and because the press and public loved them. They were truly the last of a breed. This is a celebratory catalogue of their miscreant deeds, a greatest-hits package of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they certainly did.--From publisher description.
Dr Nandita Rai is the gynaecologist for the stars. She is on TV and radio every other week talking about women 's issues. She is a South Mumbai feminist. Every woman wants her to be their doctor. Until the Mumbai Police raid her clinic when they get a complaint that she does sex selective abortions. Is the celebrity doctor aborting female fetuses? If she is, then the police need to build a watertight case. Dr Rai has friends in high places, her patients clam up and her paperwork is clean. The case seems to be going nowhere until Sub-inspector Reshma Gabuji begins to dig up Dr Rai 's secret online presence and uncovers a ruthless vigilante group.
On April 29, 1848, in a small estate in Travancore, was born a boy destined to become more famous than the ruler of his kingdom. His uncle, noticing his precocious talent at art, took the teenager to the royal court at the invitation of the king to learn painting there. Ravi Varma’s debut was to come seven years later when a Danish painter arrived in court to paint the Maharaja and his wife. The twenty-year-old boldly upstaged the experienced artist, presenting the king with a more flattering painting of the royal couple at the same time as the official portrait was unveiled. Jensen, the painter, never forgave Ravi Varma, but for the young man there was no looking back. His reputation grew...
He was the most famous Indian artist of his age: the darling of the royal courts; an artist whose depiction of gods and goddesses as men and women put a human face to divinities; and the entrepreneur who realized his dream of bringing art to the masses. For the first time comes a grippingly told story of Raja Ravi Varma (1848-1906), from his early days with the royal family of Travancore in Kerala, to the years he spent teaching himself to paint and blend European art's sensuality with Indian subjects, through to his sojourns into the royal courts of India as a celebrity portraitist, and his move to Mumbai where he started a printing press that left him bankrupt. Beautifully told, immaculately researched and full of colour, this is the first popular biography of one of India's greatest artists.
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a r...
This edited volume is the first to focus on how concepts of citizenship diversify and stimulate the long-standing field of law and literature, and vice versa. Building on existing research in law and literature as well as literature and citizenship studies, the collection approaches the triangular relationship between citizenship, law and literature from a variety of disciplinary, conceptual and political perspectives, with particular emphasis on the performative aspect inherent in any type of social expression and cultural artefact. The sixteen chapters in this volume present literature as carrying multifarious, at times opposing energies and impulses in relation to citizenship. These range from providing discursive arenas for consolidating, challenging and re-negotiating citizenship to directly interfering with or inspiring processes of law-making and governance. The volume opens up new possibilities for the scholarly understanding of citizenship along two axes: Citizenship-as-Literature: Enacting Citizenship and Citizenship-in-Literature: Conceptualising Citizenship.
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
Aadhaar was originally pitched as a way to eliminate identity fraud in the delivery of public benefits. Today, its application far exceeds that purpose. Nandan Nilekani, the technology billionaire who was the prime mover behind Aadhaar, has said that “data has become the new oil,” and that “if we canrestructure data to benefit every individual and every business, then we can lead to enormous amount of activity and economic growth.” He has also said, “In the West, the identity business was privatised. That’s a much more unsafe model than when a government issues an ID.” But while Aadhaar is presented as a way to mobilise Indians’ data for the public good, the lines between tho...
From the time of its invention in 1839, photography had a crucial link to the Middle East. When Daguerre s invention was introduced, it was immediately hailed as a boon to Egyptologists and Orientalists wanting to document their archeological findings. The Middle East also beckoned European experimenters in this new medium for a simple technological reason: early photographs were more quickly and easily made in the intense light of the desert than in gloomy Paris or London. In Camera Orientalis, Ali Behdad examines the cultural and political implications of the emergence of photography in the Middle East. He shows that the camera proved useful to Orientalism, but so too was Orientalism usefu...
Read Along or Enhanced eBook: Many years ago, the proudest animal in the jungle was not the peacock. The proudest animal was the tiger. In this timeless folktale from Vietnam, we see how Tiger's pride leads him to covet wisdom and, with the help of a wise farmer, earn his stripes.