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This book brings together science fiction, history, visual art, and exploration to reframe the relationship among climate, crisis, and creation. A Year Without a Winter presents stories by four renowned science fiction authors alongside critical essays, extracts from Mary Shelley's Frankenstein, and dispatches from extreme geographies.
Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communication, illustration, and popularization. STS scholars have sought to resist the instrumentalization of the arts by the sciences, emphasizing studies of theories and practices across disciplines and the distinctive and complementary contributions of each. The manifestation of this commonality of creative and epistemic practices is the ...
Weathering is atmospheric, geological, temporal, transformative. It implies exposure to the elements and processes of wearing down, disintegration, or accrued patina. Weathering can also denote the ways in which subjects and objects resist and pass through storms and adversity. This volume contemplates weathering across many fields and disciplines; its contributions examine various surfaces, environments, scales, temporalities, and vulnerabilities. What does it mean to weather or withstand? Who or what is able to pass through safely? What is lost or gained in the process?
Julius von Bismarck's art can be thought of as artistic research, as both an experiment and a method alike, combining the systems of art and science. Through his installations, videos, and performances von Bismarck investigates the apparatus of human perception, while challenging our habits of perception. His interdisciplinary approach involves creative inquiry into the world and nature, which humankind is altering at an increasing rate. The book contains essays by the philosopher Dehlia Hannah and the curator Nadim Samman, and provides an overview of von Bismarck's latest work, in which the artist explores the destructive beauty of natural forces, such as lightning strikes, tornadoes, and forest fires, as well as natural catastrophes caused by humans.
Today we live in what geologists have named the Anthropocene. The Earth has entered a new geological epoch, and the climate crisis is a reality. The crisis is so substantial and complex that our existing knowledge of environmental disasters is insufficient. Without the realization that we, as human beings, are intimately connected to all other kinds of life, we are guilty of a collective sin of omission by ignoring the fundamental connectedness of humanity and nature. We are not just part of the same cycle, we are nature. And since everything affects and is affected by everything else, it seems sufficient to consider the Anthropocene from many perspectives and fields.00'Connectedness' includes a diverse selection of contributions, including Björk, Greta Thunberg, Donna Haraway and Tomas Saraceno, that brings many perspectives and disciplines into the discussion to the crucial period in which we are currently living.
Fabian Knecht's (*1980) precise interventions call into question social patterns of perception and power structures as well as our concept of art. They can be understood as guides for lateral thinking that play with the difficult-to-define boundaries at which supposedly day-to-day things merge with their flip side. The large-format book 'Antibodies', Knecht's first monograph, includes works of the past ten years. A text by the art critic Raimar Stange provides an introduction to the works; a conversation between the philosopher Dehlia Hannah and the art historian Dr. Nadin Samman as well as an incisive poem by Lukas Töpfer open up numerous further perspectives on the artist's multilayered oeuvre.
Anyone viewing what we call a landscape from a distance will recognize that it is an artifact, a habitat created by humans as part of our built environment. Designing this realm carefully is a discipline that is taking on increasing importance today. Gunter Vogt, with his practice in VOGT Landscape Architects and as a professor at ETH Zurich, has developed a set of tools and a working method that incorporate all the different dimensions of the human-designed environment, from the large-scale landscape to the small-scale urban public space.00'Mutation and Morphosis' looks at all the many aspects involved in the collective process of designing and shaping landscapes, from planning to implement...
What does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of “anthropocene feminism,” it highlights the alternatives feminism and queer theory can offer for thinking about the Anthropocene. Feminist theory has long been concerned with the anthropogenic impact of humans, particularly men, on nature. Consequently, the contributors to this volume explore not only what current interest ...