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Perfection in Death
Perfection in Death compares and contrasts the relationship between conceptions of courage and death in the thought of Aquinas and his ancient philosophical sources. At the center of this investigation is Aquinas' identification of martyrdom as the paradigmatic act of courage as well as "the greatest proof of the perfection of charity." Such a portrayal of "perfection in death" bears some resemblance to the ancient tradition of "noble death", but departs from it in decisive ways. Clark argues that this departure can only be fully understood in light of an accompanying transformation of the metaphysical and anthropological framework underlying ancient theories of virtue. Perfection in Death aims to provide a new, theological account of this paradigm shift in light of contemporary Thomistic scholarship.
Homer's Iliad
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The Tradition of the Image of Edessa
The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.
Our Dogs, Our Selves
The ubiquity of references to dogs in medieval and early modern texts and images must at some level reflect their actual presence in those worlds, yet scholarly consideration of this material is rare and scattered across diverse sources. This volume addresses that gap, bringing together fifteen essays that examine the appearance, meaning, and significance of dogs in painting, sculpture, manuscripts, literature, and legal records of the period, reaching beyond Europe to include cultural material from medieval Japan and Islam. While primarily art historical in focus, the authors approach the subject from a range of disciplines and with varying methodology that ultimately reveals as much about dogs as about the societies in which they lived. Contributors are Kathleen Ashley, Jane Carroll, Emily Cockayne, John Block Friedman, Karen M. Gerhart, Laura D. Gelfand, Craig A. Gibson, Walter S. Gibson, Nathan Hofer, Jane C. Long, Judith W. Mann, Sophie Oosterwijk, Elizabeth Carson Pastan, Donna L. Sadler, Alexa Sand, and Janet Snyder.
Toward a Democratic Science
In this important book, a leading authority in the field of social theory and communication shows how science is a rhetorical and narrative activity--a story well told. Richard Harvey Brown argues that expert knowledge is a form of power and explains how a narrative view of science can integrate science within a democratic civic discourse, as in the movement for environmental justice in the United States.
Heads Or Tails
Examines the role of money in modern German literature. Using examples from Goethe, Gotthelf, Holderlin and others to demonstrate the intersecting worlds of literature and finance, the author argues that money, like literature, has no intrinsic value, but is at the same time a necessity.
Authenticity in the Kitchen
The Oxford Symposium on Food on Cookery is a premier English conference on this topic. The subjects range from the food of medieval English and Spanish Jews; wild boar in Europe; the identity of liquamen and other Roman sauces; the production of vinegar in the Philippines; the nature of Indian restaurant food; and food in 19th century Amsterdam.
First Friend
Dogs have shared our homes for as long as we can remember, and, in return, have guarded us, helped us hunt, and herded our livestock. They have generally been our friends as well; that is what most of them are today. Canine friends give us uncritical affection, free of the ambivalence that plagues human relationships. Dogs figure prominently in literature, starting with Homer's Argus, the hound who remembered Odyssues after twenty years. Victorian novels are full of vivid canine characters. "Ms. Rogers is impressively thorough...best of all, the author knows and respects dogs." Steve Goode, Washington Times
