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Through My Eyes
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The Quiet Australian
ÿTeddy Hudleston was a pilot of immense skill and talent whose wisdom and resourcefulness in both war and peace carried him up through the ranks of the RAF; a Squadron Leader at 28, he was promoted to Air Vice-Marshal at the age of only 35 and finally retired, after 40 years? service, as Air Chief Marshal. He won the Croix de Guerre for his role in the Suez campaign and at the height of the Cold War he was made Commander of Allied Air Forces Central Europe, serving in the front line of the defence against the Soviets. He was knighted in 1963. This very private Edwardian was dubbed by the newspaper obituaries ?the Quiet Australian? for his unassuming manner. His home life was more complicated, as author Eric Grounds knows well; for forty years Hudleston treated Grounds as his son. He has now paid tribute to him by writing this affectionate biography.
Seminar Proceedings
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Never-Ending Conflict
Objective accounts of Israel's military conflicts, including the 1948 War, the Six Day War, and the Yom Kippur War Includes a chapter by Michael Oren, author of the bestseller Six Days of War This is the story of the tragic confrontation between two national movements contesting the same small piece of land, a clash that has become one of the most intractable issues in modern times. From the 1936 Palestinian Revolt to the Intifada that started in 2000, the Arabs and Israelis have clashed in twelve major incidents, often embroiling much of the Middle East. Here, historians deftly examine each conflict, offering a readable and informative look at seventy years of Israeli military history.
Staging Postcommunism
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
