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Professor Bark's Amazing Digital Adventure
In early 1995, Dennis Bark finally confronted his digital demons. As Senior Fellow at the Hoover Institution at Stanford University in California, he was well aware that there was a technological revolution afoot all around him. Stanford, after all, is in the heart of Silicon Valley, ground zero for many of the computer industry's most impressive innovations. A specialist in foreign affairs and relations between Western Europe and the United States, Bark also was friendly with some of the most important people in the computer business, including Hewlett-Packard cofounder David Packard. Yet Bark had always loved and respected tradition. He wrote letters longhand, and he signed his corresponde...
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Dealing with the Devil
Using new archival sources--including previously secret documents of the East German secret police and Communist Party--M. E. Sarotte goes behind the scenes of Cold War Germany during the era of detente, as East and West tried negotiation instead of confrontation to settle their differences. In Dealing with the Devil, she explores the motives of the German Democratic Republic and its Soviet backers in responding to both the detente initiatives, or Ostpolitik, of West Germany and the foreign policy of the United States under President Nixon. Sarotte focuses on both public and secret contacts between the two halves of the German nation during Brandt's chancellorship, exposing the cynical artifices constructed by negotiators on both sides. Her analysis also details much of the superpower maneuvering in the era of detente, since German concerns were ever present in the minds of leaders in Washington and Moscow, and reveals the startling degree to which concern over China shaped European politics during this time. More generally, Dealing with the Devil presents an illuminating case study of how the relationship between center and periphery functioned in the Cold War Soviet empire.
Americans and Europeans Dancing in the Dark
Dennis Bark offers an in-depth examination of the deteriorating relationship between America and Europe: our differences and similarities, the reasons behind our conflicts, and the future of our alliance. He shows that, by learning what our essential difference teaches us about ourselves and drawing on our shared affinities, we might repair our fading relationship.
New Music, New Allies
New Music, New Allies documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers’ pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs. Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.
