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By Word of Mouth
Dennis Cooley, one of Canada’s most prominent poets, says writing becomes political when you play with certain kinds of voices. His poetry has been influenced and inspired by the prairies and other Canadian poets, but he insists on disturbing the formal poetic inheritance he esteems. His engagement with a variety of speaking voices asks that readers question authority and challenge institutional privilege. In By Word of Mouth, a collection from across his career, readers will discover how Cooley returns to the prairie vernacular and speaks to Canadian identity. Poetry, says Cooley, is about our time and our place. Nicole Markotić’s introductory essay discusses how Dennis Cooley plays with poetic reference, inspires with syntactical surprises, parodies contemporary writing, and indulges in wild, celebratory puns. This book roams around Dennis Cooley’s poetical world and invites the reader to play along.
Body Works
The body may be feared. It may be a site of philosophic and theological weakness, a place of fear and contamination. The body may be weak. It is ephemeral and impure compared to what is supposed in an abstracted world of pure intellect. The body may be an obsession, a material concern taken up to the detriment of all else. The body may be a challenge to overcome, an enemy to silence. In this book, dennis cooley sympathizes with the body. These poems celebrate the yearning, laughing, hurting, tender body. Here, the body is neither a site of conflict nor a place of spiritual weakness, but instead a vessel of experience that works in harmony with the intellect. Bodies burble, rejoice, yearn, and suffer. Bodies grow old, they are injured, they hold strength and grow weak in unexpected ways. Rejecting the simplicity of transcendence for a nuanced examination of mortality, time, illness, of the things the body promises and the promises the body keeps, cooley is unafraid to challenge the eternal and the certain. These poems are humorous, intelligent, and poignant. body works is essential reading for anyone who lives inside a body that lives within the world.
New Perspectives on the End of Life: Essays on Care and the Intimacy of Dying
This inter-disciplinary volume gathers scholars from around the world to explore clinical, cultural and ethical perspectives on end-of-life care, not only for the dying but also for those who attend the dying as caregivers.
Passing/Out
Passing/Out adopts an inter-generational, inter-disciplinary, and inter-subjective approach to the closeting and revelation of sexual identity, exploring questions of embodiment, ethics and identity in relation to 'passing' or being 'out'. Presenting the latest theoretical and empirical work from scholars working across a range of disciplines including sociology, cultural and media studies, philosophy, gender studies, literary studies and history, this book discusses the nature and history of sexual identity and the manner in which identity functions within social relationships. In recognition of the transformative impact of queer theory upon the study of sexuality and identity, Passing/Out constructs a dialogue between the work of scholars whose intellectual careers began prior to the advent of queer theory and those whose work has been more immediately and directly shaped by this approach, with a view to breaking new ground in the field of identity. Shedding light on the meaning of 'passing' and 'outing' in relation to identity, this volume will be of interest to social scientists and scholars of the humanities working on questions of sexuality, identity, embodiment and ethics.
Correction Line
correction line is a powerful and evocative poem sequence that reconstructs memory through ancestral connections, and personal history. The poetry is as fundamental as the southern prairie landscape in its stark realities and progressively elemental in its distinctive risks with structure and imagery. It is roots poetry, humorous, anecdotal and wise, but also original, unexpected and profound. Harvested from the prairies, Cooley's writing fiddles with forms, swerves among the vernacular, the comical, the meditative, the linguistic, and the personal. His work exudes a strong commitment to local and contemporary understandings of writing and a continued experimentation with his postmodernist leanings. correction line affirms Cooley's desire to break from the inexorable narrative and offer poetry its place in the everyday world, while allowing its aesthetic to claim the space and time of the Prairies in its form, cadence and meanings. As the title suggests there are lines that correct what must change, as there are lines to correct what is already known. It is through this convergence of memory and history that Cooley's poems shape understanding.
Passing/Out
Passing/Out adopts an inter-generational, inter-disciplinary, and inter-subjective approach to the closeting and revelation of sexual identity, exploring questions of embodiment, ethics and identity in relation to 'passing' or being 'out'. Presenting the latest theoretical and empirical work from scholars working across a range of disciplines including sociology, cultural and media studies, philosophy, gender studies, literary studies and history, this book discusses the nature and history of sexual identity and the manner in which identity functions within social relationships. In recognition of the transformative impact of queer theory upon the study of sexuality and identity, Passing/Out constructs a dialogue between the work of scholars whose intellectual careers began prior to the advent of queer theory and those whose work has been more immediately and directly shaped by this approach, with a view to breaking new ground in the field of identity. Shedding light on the meaning of 'passing' and 'outing' in relation to identity, this volume will be of interest to social scientists and scholars of the humanities working on questions of sexuality, identity, embodiment and ethics.
Departures
The moon migrates, seasons cycle, and the body ebbs and flows. Drawing together the skeins of existence and his family's nearness, Dennis Cooley's departures joyously intermingles poetry and science. In the end, faced with his own mortality, Cooley fights back with great big clods of earthy humour and humility. With departures Dennis Cooley coils and uncoils the language of our bodies, the subtle string of cells and letters which bind us to each other and to language. The writing of grief is never simple, never clear--it is a tangled ball of ribbon, sound and story. Here Cooley unwinds and unweaves, reknits and retangles but is never at a loss of words. -Derek Beaulieu, Calgary Poet Laureate...
The Bentleys
In the bentleys, Dennis Cooley, with his trademark energy and verve, has recreated the tensions and themes of Sinclair Ross's classic prairie novel As for Me and My House. Celebrating 'love in a dry land,' Cooley, with his deft, playful command of language, and his typographic exuberance, demonstrates his mastery of the long prairie poem. Containing some of the finest writing of his career, the bentleys will take its place with Bloody Jack as a 'beJesus delight.'
abecedarium
With linguistic keenness and rapid-fire shifts, Cooley’s abecedarium challenges the way we look at language.
The Ethics of Death
In The Ethics of Death, the authors, one a philosopher and one a religious studies scholar, undertake an examination of the deaths that we experience as members of a larger moral community. Their respectful and engaging dialogue highlights the complex and challenging issues that surround many deaths in our modern world and helps readers frame thoughtful responses. Unafraid of difficult topics, Steffen and Cooley fully engage suicide, physician assisted suicide, euthanasia, capital punishment, abortion, and war as areas of life where death poses moral challenges.
