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Preface This story is about the tribulations experienced by a typical American family during a one year period. As is often the case, the root cause for the Flynn familys conflict was the sin of passion. Two questions plead for answers. Does a typical family actually exist? By definition, typical means: Conforming to the essential features of a species, group, and class, pattern of action or behavior. Therefore, we can recognize similarities between families but each is atypical because of the unique personalities in each family, and also the diverse circumstances in which they live. We can further assume that no two people will react precisely the same to a given stimulus. A corollary quest...
"Rather than simply engaging in a triumphalist narrative of overcoming where both disability and disablement are shunned alike, Disabilities of the Color Line argues that Black authors and activists have consistently avowed disability as a part of Black social life in varied and complex ways. Sometimes their affirmation of disability serves to capture how their bodies, minds, and health have been and are made vulnerable to harm and impairment by the state and society. Sometimes their assertion of disability symbolizes a sense of commonality and community that comes not only from a recognition of the shared subjection of blackness and disability but also from a willingness to imagine and create a world distinct from the dominant social order. Through the work of David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley, Disabilities of the Color Line examines how Black writer-activists have engaged in an aesthetics of redress: modes of resistance that show how Black communities have rigorously acknowledged disability as a response to forms of racial injury and in the pursuit of racial and disability justice"--
From the author of the award-winning crime thriller, Where the Hurt Is. “This top-notch suspense thriller will seize your attention, and you’ll be enthralled by the characters and the author’s witty and appealing style.” –Sublime Book Review The residents of tiny Butcherville, Oklahoma love their God-given freedoms so much, they refuse to hire their own police force. When they need a cop, they just call Emmett Hardy, police chief of Burr, the closest neighboring town. Whether it’s to break up a fight, dissuade an angry good ol’ boy from hunting rabbits with an M-16, or eject an unruly patron from Butcherville’s combination strip joint/bookstore, Emmett’s always glad to obli...
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"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
"Poignant and funny, studded with characters who haunt your imagination long after you've read the final page." –Anne Hillerman, New York Times bestselling author of Cave of Bones “This top-notch suspense thriller will seize your attention, and you’ll be enthralled by the characters and the author’s witty and appealing style.” –Sublime Book Review "A strong mystery-thriller that clearly shows some secrets, like a few bodies, can’t stay buried." –Kirkus Reviews ***This box set includes the first three crime fiction novels in the Emmett Hardy Crime Novels. Book #4, Junker Blues, is now available. WHERE THE HURT IS (Book 1) When everyone would prefer to look the other way, can o...