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Time - a fundamental component of human thought and experience - is quite enigmatic and elusive when it comes to defining it. In The Evolution of Time: Studies of Time in Science, Anthropology, Theology scholars from the fields of physics, mathematics, biology, neuroscience, psychology, philosophy and theology draw from their own field of knowledge and expertise and present their understanding of the time phenomenon. Time as a dynamic interplay of being and becoming, the different temporalities we encounter in nature, the human dimension of time, are all important issues presented and thoroughly analyzed in the e-book. The e-book has a manifest trans-disciplinary character and it is a suitable for readers interested in evolution, the dynamics of time and the complexity of our own conceptions of time.
Today, many visual artists are giving the cold shoulder to the static, isolated concept of visual art and searching instead for novel, dynamic connections to different image strategies. Because of that, visual art and aesthetics are both forced to reconsider their current positions and their traditional apparatus of concepts. In that process, many questions surface. To mention a few: Could the characteristics of an artistic image and its specific manner of signification be determined in a world which is entirely aesthetisized? What would be the consequences of a variety of image strategies for aesthetic experience? Would it be possible to develop a form of cultural criticism by means of arti...
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Artists: John Baldessari, Ericka Beckman, Dara Birnbaum, Barbara Bloom, Eric Bogosian, Glenn Branca, Tony Brauntuch, James Casebere, Sarah Charlesworth, Charles Clough, Nancy Dwyer, Jack Goldstein, Barbara Kruger, Jouise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo Allan McCollum, Paul McMahon, MICA-TV (Carole Ann Klonarides and Michael Owen), Matt Mullican, Tom Otterness, Richard Prince, David Salle, Cindy Sherman, Laurie Simmons, Michael Smith, James Welling, Michael Zwack.
Featuring international contributions from leading and emerging scholars, this innovative Research Handbook presents a panoramic view of how law sees visual art, and how visual art sees law. It resists the conventional approach to art and law as inherently dissonant – one a discipline preoccupied with rationality, certainty and objectivity; the other a creative enterprise ensconced in the imaginary and inviting multiple, unique and subjective interpretations. Blending these two distinct disciplines, this unique Research Handbook bridges the gap between art and law.
Museums After Modernism is a unique collectionthat showcasesthe ways questions about the museum go to the heart of contemporarydebates about the production, consumption and distribution of art.The book features expert artists, curators and art historians whograpple with many of the vibrant issues in museum studies, whilepaying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and arthistorians Engages with vital issues in the practice of art-making andart-exhibiting Edited by the world-renowned art historian and author, GriseldaPollock
Hou Hanru is undoubtedly one of the most dynamic and innovative curators and critics on the contemporary art scene today. Known for such ground-breaking exhibitions as Cities on the Move (co-curated with Hans Ulrich Obrist), Out of the Center, Parisien(ne)s and the Kwangju Biennial in Korea, his work addresses questions of globalization and identity, understanding contemporary art practice as it exists beyond geographical and regional boundaries. This dense, excellent collection of his writings and interviews is divided into four sections: "From China to the International," " From 'Exile' to the Global," "Global Cities and Art," and "Interviews, Dialogues, Conversations."
Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politic...
The fourth volume in a history of photography, this is a bibliography of books on the subject.