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Love and Theft : Blackface Minstrelsy and the American Working Class
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstre...
Keywords for American Cultural Studies, Second Edition
The latest vocabulary of key terms in American Studies Since its initial publication, scholars and students alike have turned to Keywords for American Cultural Studies as an invaluable resource for understanding key terms and debates in the fields of American studies and cultural studies. As scholarship has continued to evolve, this revised and expanded second edition offers indispensable meditations on new and developing concepts used in American studies, cultural studies, and beyond. It is equally useful for college students who are trying to understand what their teachers are talking about, for general readers who want to know what’s new in scholarly research, and for professors who jus...
The Islam/West Debate
In 2002, sixty prominent American intellectuals released an open letter defending the use of military force against al-Qa'ida, sparking an impassioned international debate unlike any other, in which jihadists, journalists, liberal Muslims, and German pacifists engaged one another on the most pressing issues of our time: terrorism, U.S. policy, and Islam-West relations. This volume chronicles that debate and includes contributions from both sides of the political spectrum in America and the Middle East-and even from al-Qa'ida.
The Oxford Companion to African American Literature
This, the first comprehensive one-volume reference work devoted to African American literature, contains much information on little known writers unavailable elsewhere. The book covers all types of genre and examines unique aspects of Afro-Americanism
American Literature's Aesthetic Dimensions
These diverse essays recast the place of aesthetics in production & consumption of American literature. Contributors showcase the interpretive possibilities available to those who bring politics, culture, ideology, & conceptions of identity into their critiques, combining close readings of individual works & authors with theoretical discussions.
Rights vs. Public Safety after 9/11
Since the attacks of September 11, 2001, the tension between civil rights and public safety has dominated public discourse. On issues ranging from racial profiling to military tribunals, Americans have had to ask whether it is possible for the United States to defend itself against terrorism without violating the values and principles that lie at the heart of its democratic order. In Rights vs. Public Safety after 9/11, some of the nation's leading legal experts and social critics confront this question head-on. The contributors offer measured, often communitarian, approaches to topics such as the changes in United States immigration policy after September 11th, the practical and moral difficulties of racial profiling, the ethical dilemmas of an emergency response to a bioterrorist attack, and the role of the government in promoting national service. This balanced compilation of essays highlights where government will need to expand its authority in the fight against terrorism, where it risks overreaching, and how this new era might strengthen American society.
Jazz Among the Discourses
Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art?
The Concise Oxford Companion to African American Literature
This abridgement of The Oxford Companion to African American Literature collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors include the biographic details for author entries to include mention of major works, death dates, and awards. The volume reprints in its entirety the five-part 15-page essay, Literary History, capturing the full sweep of African-American writing in the US from the colonial and early national eras to the late 20th century.
Keywords for Southern Studies
"In Keywords for Southern Studies, the editors have compiled an eclectic collection of essays which address the fluidity and ever-changing nature of southern studies by adopting a transnational, interdisciplinary focus. This book is termed 'critical' because the essays in it are pertinent to modern life beyond the world of 'southern studies.' The non-binary, non-traditional approach of Keywords unmasks and refuses the binary thinking -- First World/Third World, self/other -- that postcolonial studies has taught us is the worst rhetorical structure of empire. Keywords promotes a holistic way of thinking that starts with southern studies but extends even further"--
