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A funny, direct, lively and moving account of growing up in small-town Ireland. Healy lovingly coaxes his childhood into being until, one day, his elderly mother hands him the coded diary he kept as a teenage tearaway and the uncut past burst in like a blast of raw air.
In a wind-battered Mayo cottage, playwright Jack Ferris tries to salvage something from his broken love affair with Catherine Adams. Drink and despair drove her away; can his imagination call her back? But as he summons up her past, Jack finds he has also called up Catherine's RUC father and a whole dangerous world of opposed traditions.
Dermot Healy's fourth collection presents itself as a book-length poem that charts the annual migrations of thousands of barnacle geese between their breeding grounds in Greenland and their winter quarters on an island beside his home.
This book is a metaphorical journey through the English lexicon, viewed as a vehicle and a mirror of cultural identity. From the translatability of phrases and metaphors to genre-specific terms, from English as a Lingua Franca to English language teaching, the studies collected here testify to the fact that in English – and overall in language – word contextualization or lack of contextualization impinges on linguistic utterances and leads to differing interpretations of the textual message. The book may be of interest to a wide range of scholars and students who are concerned with the study of the English lexicon, bearing in mind that this lexicon provides the bricks of any language, and language, in turn, needs the cornerstone of Culture to stand firmly and thrive.
"Seamus Heaney was the leading Irish poet of the second half of the twentieth century, and, after W. B. Yeats, arguably the most significant poet in the history of Irish literature. When he died in 2013 the public reaction in Ireland was extraordinary, and the outpouring of feeling decisively demonstrated that he occupied an exceptional place in national life. The words of his last message to his wife, 'Noli timere', 'Don't be afraid', appeared over and over again on social media, while key phrases from favourite poems became and have remained canonical. In this short book, conceived for the Writers on Writers series, historian Roy Foster offers an extended and largley chronological reflecti...
This volume stems from a workshop organised by the Corpus Linguistics and Language Variation in English Research Centre, known as CLAVIER, held at the Sapienza University of Rome, Italy. It brings together a series of double-reviewed studies on the nature of the dissemination of specialist knowledge in English, its transformation from being a mere repository of information into a proactive source of understanding and empowerment. Through the chapters, the various principles, conceptualisations, constructs and pragmatic dynamics of knowledge dissemination are shown in a range of discourse genres. The studies reveal the multi-levels of knowledge, its varied typology and its ongoing co-construc...
How do characters tell stories in plays and for what dramatic purpose? This volume provides the first systematic analysis of narrative episodes in drama from an interactional perspective, applying sociolinguistic theories of narrative and insights from conversation analysis to literary dialogue. The aim of the book is to show how narration can become drama and how analysis of the way a character tells a story can be the key to understanding its role in the unfolding action. The book s interactional approach, which analyses the way in which the characteristic features of everyday conversational stories are used by dramatists to create literary effects, offers an additional tool for dramatic criticism. The book should be of interest to scholars and students of narrative research, conversation and discourse analysis, stylistics, dramatic discourse and theatre studies. Winner of 2012 Esse Book Award for Language and Linguistics"
In 2002, almost a decade after he became the first man to lead Derry’s footballers to All-Ireland success – and in the most unlikely of moves for the cagey Ballymaguigan bricklayer – Eamonn Coleman sat down with a journalist and told his story. That that journalist was his niece and goddaughter gave the infamously secretive Coleman the time and space to relive the white-hot battles of Ulster football in the early 90s, from Casement to Clones with the boys of ’93, and their triumphant march to Croker to claim Sam, the ultimate prize. Over a period of months, then years, and in that unique South Derry brogue, he recalls those guts and glory days: the professional triumphs and personal disasters, not least his sacking just a year after seeing his beloved ‘boys’ crowned All-Ireland kings. That was personal. In this compelling posthumous memoir, the charismatic Coleman pays homage to the halcyon days of Ulster football and to the men who made them: McEniff and McGrath and the influence of legends such as Heffernan and McKeever. At the root of his story though remains his golden philosophy, “the players is the men”.
"Birth of an Independent Ireland" is a study of the rise of a distinctly Irish nationalist youth in the early twentieth century, which is analysed by focusing on how and to what extent the parallel advent of dedicated periodicals stimulated it. As Ireland moves through the centenary of commemoration of the War of Independence and the establishment of the Free State, it seems only right to direct our attention to the primary role played by the young in the revolutionary years between 1913 and 1923, when Irish boys and girls actively participated in the life of their country as agents of nation-building. In part, they had been taught how to do so. Although they were never mere recipients who p...