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Here Comes the Sun! Rising temperatures, melting glaciers, violent storms, and excessive heat. The future seems bleak...but there are signs of hope. In Solar Flare, we ask you to step into a world where we have managed to mitigate or even reverse the disastrous effects of climate change and our own destruction of our world. Race down the depleted waterway of the Mississippi in a solar-, wind-, and water-powered boat. Sail through the skies in a floating hydroponic dirigible. Skim along a solar-powered road in order to expose a corporation’s secret. Hover weightless in space in a last-ditch effort to repair an umbrella-like solar collector. Or cower in a shelter as fire rages outside...only...
The March/April 2018 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, A.T. Greenblatt, Emma Törzs, Sarah Monette, Vina Jie-Min Prasad, and Brandon O'Brien, reprinted fiction by Nalo Hopkinson, essays by R.F. Kuang, Neile Graham, Marissa Lingen, and Karlyn Ruth Meyer, and poetry by Fran Wilde, Cassandra Khaw, Brandon O'Brien, Beth Cato, Sonya Taaffe,Hal Y. Zhang, and Andrea Tang, interviews with A.T. Greenblatt and Vina Jie-Min Prasad by Caroline M. Yoachim, a cover by Nilah Magruder, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the sixteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others.
Music soothes the savage beast...or so they say. But in this tome of terror, music is more than just a placebo for the masses. It is the dark divination of witches, the motivation for revenge, and the power to change the mind, soul, and body of every creature unlucky enough to hear it. In it, you'll find possessed rock stars, killer radio stations, and concerts from the depths of hell. Over 300 pages of terrifying, bizarre stories about the hypnotic power of music and what happens when it gets into the wrong hands. Featuring: "Tears Like Rain," by Tim Waggoner, "The Brazen Bull," by Sofia Ajram, "Oil of Angels,' by Gemma Files, "This Loaded Gun of a Song Stuck in My Head," by Paul Michael An...
Contact linguistics is the overarching term for a highly diversified field with branches that connect to such widely divergent areas as historical linguistics, typology, sociolinguistics, psycholinguistics, and grammatical theory. Because of this diversification, there is a risk of fragmentation and lack of interaction between the different subbranches of contact linguistics. Nevertheless, the different approaches share the general goal of accounting for the results of interacting linguistic systems. This common goal opens up possibilities for active communication, cooperation, and coordination between the different branches of contact linguistics. This book, therefore, explores the extent to which contact linguistics can be viewed as a coherent field, and whether the advances achieved in a particular subfield can be translated to others. In this way our aim is to encourage a boundary-free discussion between different types of specialists of contact linguistics, and to stimulate cross-pollination between them.
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