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· A Space for the Possible: Globalization and English Language Learning for Tibetan Students in China (007-032) by Clothey, Rebecca, and Elena McKinlay · An A mdo Tibetan Pastoralist Family's Lo sar in Stong skor Village by Thurston, Timothy, and Tsering Samdrup · Hail Prevention Rituals and Ritual Practitioners in Northeast Amdo (071-111) by Rdo rje don grub · Pyramid Schemes on the Tibetan Plateau (113-140) by Gonier, Devin, and Rgyal yum sgrol ma · Tibetans and Muslims in Northwest China: Economic and Political Aspects of a Complex Historical Relationship (141-186) by Horlemann, Bianca · Sacred Dairies, Dairymen, and Buffaloes of the Nilgiri Mountains in South India (187-256) by Wal...
This collection of essays celebrates the life and work of Dr. Charles Kevin Stuart. For more than three decades, Kevin Stuart has quietly exerted considerable influence on scholarship on Tibet, China, and Mongolia, demonstrating a particular sensitivity to emic voices, facilitating collaborations between etic-emic viewpoints, but always striving to preserve and privilege the latter. It is possible when reading Kevin's writings, and the contributions gathered here, to 'center the local' by thinking within local horizons of meaning. Introduction by Benedict Copps An Introduction to Amdo Tibetan Love Songs, or La gzhas by Skal bzang nor bu A Bibliographic Note and Table on Mid-19th to Mid-20th ...
This book provides an autobiographical account of life on the northeastern Tibetan Plateau in the late twentieth and early twenty-first centuries. Nagchukja's account takes the reader from his childhood in a resettled agro-pastoral community to his adulthood as a community grass-roots development worker.
We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent i...
"I was born in a pastoral family in the autumn of 1986, in Rongrima Village, Hongyuan County, Ngawa Tibetan and Qiang Autonomous Prefecture, Sichuan Province, PR China. When I was a child, my family lived in a 'four-column' wood house made using four poles placed in a rectangular configuration in the center of the home. Four shorter poles were behind the central columns. Four-pillar wood houses had flat roofs with several compartments, and had a skylight in the center that allowed light into the home and allowed smoke from the hearth to escape. We lived in our wood house from November to April. As flowers began to bud and calves were born, we took out our black yak-hair tent and pitched it, which announced that we would soon start moving to our camp on the open grassland where we would stay through spring, summer, and autumn."
"We make very heavy use of WHO'S WHO IN AMERICA in our library. It's used daily to check biographical facts on people of distinction."--MARIE WATERS, HEAD OF COLLECTION DEVELOPMENT, UNIVERSITY OF CALIFORNIA AT LOS ANGELES. Marquis Who's Who is proud to announce the Golden Anniversary 50th Edition of WHO'S WHO IN AMERICA. This, the world's preeminent biographical resource, keeps pace with a changing America with more than 17,500 new entries each year. AND it speeds research with the Geographic/Professional Indexes. ANNUAL UPDATING enables Marquis Who's Who to bring users more new names & to update more existing entries each year. Every entry is selected & researched to ensure the most current...