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In a place where drugs, domestic violence, Incarceration, H.I.V-Aids, and murders are found and encountered on a daily basis, America tends to omit the struggles of the ghetto.This is a book that will reveal the definition of the hood through three sentiments.Antoine is young, ambitious, stubborn, and fearless. Being the stepson of a pastor, at thirteen Antoine gets fully introduced to the street life. 70 percent of Antoine's outlook tells him to "get it how you live", while the other 30 percent says "never lose your integrity". In a world that's full of gunshots, sirens, and rap music, Antoine gets caught up - But regardless of the crime, a son's love for his mother will always be justified...
In a place where drugs, domestic violence, Incarceration, H.I.V-Aids, and murders are found and encountered on a daily basis, America tends to omit the struggles of the ghetto.This is a book that will reveal the definition of the hood through three sentiments.Antoine is young, ambitious, stubborn, and fearless. Being the stepson of a pastor, at thirteen Antoine gets fully introduced to the street life. 70 percent of Antoine's outlook tells him to "get it how you live", while the other 30 percent says "never lose your integrity". In a world that's full of gunshots, sirens, and rap music, Antoine gets caught up - But regardless of the crime, a son's love for his mother will always be justified...
For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers. Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme. This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.
Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet – like many free-minded women of the Caribbean and the African diaspora – was banned from the public sphere, leaving her work largely ignored for decades. Following on a renewed interest in Chauvet, this collection makes essential contributions to Africana Studies, Theatre Studies, Performance Studies, Postcolonial Studies, and Global South Feminisms. Contributors are: Alessandra Benedicty-Kokke...
The WHO Benchmarks for International Health Regulations (2005) (IHR) Capacities was first published in 2019 and serves as a capacity-building tool and reference document to guide development/updating of country health security plans, including the national action plan for health security (NAPHS). It is now updated to a second edition which incorporates lessons learned from recent health emergencies, as well as alignment with updated IHRMEF tools, the HEPR framework, the WHO Director-General’s ten proposals to build a safer world together, and to build back better through multi-hazard and whole-of-society approaches to support better preparedness for future emergencies. Over 250 relevant te...
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