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The Nature of the Place
The Great Plains has long been fertile ground for literature. The Nature of the Place is a comprehensive study of novels and stories by such Plains writers as Willa Cather, Wright Morris, Mari Sandoz, Laura Ingalls Wilder, Frederick Manfred, Wallace Stegner, and Bess Streeter Aldrich. Throughout, Diane Dufva Quantic is aware of the region’s collective social and cultural history—aware of the immensely fruitful clash between that complex history and Plains myth (such as “Garden of the World” and “Great American Desert”). In the vast and changeable Great Plains, as Wright Morris once remarked, “Many things would come to pass, but the nature of the place would remain a matter of opinion.”
A Great Plains Reader
The Great Plains are as rich and integral a part of American literature as they are of the North American landscape. In this volume the stories, poems, and essays that have defined the region evoke the world of the American prairie from the days of Native history to the realities of life on a present-day reservation.
Updating the Literary West
"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary ...
Rooted
David Pichaske has been writing and teaching about midwestern literature for three decades. In Rooted, by paying close attention to text, landscape, and biography, he examines the relationship between place and art. His focus is on seven midwestern authors who came of age toward the close of the twentieth century, their lives and their work grounded in distinct places: Dave Etter in small-town upstate Illinois; Norbert Blei in Door County, Wisconsin; William Kloefkorn in southern Kansas and Nebraska; Bill Holm in Minneota, Minnesota; Linda Hasselstrom in Hermosa, South Dakota; Jim Heynen in Sioux County, Iowa; and Jim Harrison in upper Michigan. The writers' intimate knowledge of place is re...
Breaking Boundaries
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Ethical Encounters
The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the representation of encounters with alterity in the writings of the Canadian author Rudy Wiebe. Drawing on Emmanuel Levinas’s philosophy on the ethics of encountering the other, the book argues that Wiebe’s writings show that the self’s knowledge offers an inadequate basis for ethically valid representations of those encounters. In the search for ethical ways of engaging with alterity, Wiebe’s writings offer new ways of employing silence and the presence of the unknowable as means to explore encounters with alterity. Ethical Encounters s...
History, Literature and the Writing of the Canadian Prairies
The Canadian Prairie has long been represented as a timeless and unchanging location, defined by settlement and landscape. Now, a new generation of writers and historians challenge that perception and argue, instead, that it is a region with an evolving culture and history. This collection of ten essays explores a more contemporary prairie identity, and reconfigures "the prairie" as a construct that is non-linear and diverse, responding to the impact of geographical, historical, and political currents. These writers explore the connections between document and imagination, between history and culture, and between geography and time.The subjects of the essays range widely: the non-linear stru...
The Farm Novel in North America
Provides the first history of the North American farm novel, a genre which includes John Steinbeck's The Grapes of Wrath, Sheila Watson's The Double Hook, and Louis Hémon's Maria Chapdelaine. From John Steinbeck's The Grapes of Wrath and Martha Ostenso's Wild Geese to Louis Hémon's Maria Chapdelaine, some of the most famous works of American, English Canadian, and French Canadian literature belongto the genre of the farm novel. In this volume, Florian Freitag provides the first history of the genre in North America from its beginnings in the middle of the nineteenth century to its apogee in French Canada around the middleof the twentieth. Through surveys and selected detailed analyses of a...
The Literary Voices of Winnifred Eaton
Winnifred Eaton, better known under her Japanese pseudonym, Onoto Watanna, was of English and Chinese heritage, but born and raised in Canada. She published over a dozen novels and hundreds of short stories, magazine articles, and screenplays during the first half of the twentieth century. Her romances featuring Japanese and Eurasian heroines sold widely. However, by the time of her death in 1954, most of her books were out of print. Winnifred (unlike her sister, the better-known writer Edith Eaton) has been a troubling figure for Asian Americanists. She attempted to disguise her ethnic heritage, writing under a Japanese pen name, and in legal documents, she usually claimed a white racial identity. Scholars have noted her use of Orientalist stereotypes in her novels, and even though she depicted a broad range of non-Asian characters - such as Irish maids and cowboys - her pottrayals often relied on the accepted stereotypes of the day. Rather than dismiss her characterizations as evasions of the topics that readers today wish she had explored, Jean Lee Cole asks why Winnifred Eaton may have chosen the subjects she did. Cole shows that the many voices Eaton adopted reveal her deep
Practical Ecocriticism
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