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Ready, Set, Oh
Diane Josefowicz's debut novel, READY, SET, OH, is set against the upheavals of the Sixties and chronicles the struggles of a man who has just lost his draft deferment, a young pregnant woman with fragile mental health, and a UFO-chasing astronomer, each hostages in their own way to their families and to history. Providence, Rhode Island, 1967, Tino Battuta returns home from medical school in disgrace and without his draft deferment to attend his grandfather's funeral and to spend time with the love of his life, Primrose Tirocchi. Primrose, an art student, has an abusive home life and serious mental health challenges. But Primrose has plans: she is writing The Book of Love with her best frie...
The Riddle of the Rosetta
A major new history of the race between two geniuses to decipher ancient Egyptian hieroglyphs, set against the backdrop of nineteenth-century Europe In 1799, a French Army officer was rebuilding the defenses of a fort on the banks of the Nile when he discovered an ancient stele fragment bearing a decree inscribed in three different scripts. So begins one of the most familiar tales in Egyptology—that of the Rosetta Stone and the decipherment of Egyptian hieroglyphs. This book draws on fresh archival evidence to provide a major new account of how the English polymath Thomas Young and the French philologist Jean-François Champollion vied to be the first to solve the riddle of the Rosetta. Je...
The Zodiac of Paris
The clash of faith and science in Napoleonic France The Dendera zodiac—an ancient bas-relief temple ceiling adorned with mysterious symbols of the stars and planets—was first discovered by the French during Napoleon's campaign in Egypt, and quickly provoked a controversy between scientists and theologians. Brought to Paris in 1821 and ultimately installed in the Louvre, where it can still be seen today, the zodiac appeared to depict the nighttime sky from a time predating the Biblical creation, and therefore cast doubt on religious truth. The Zodiac of Paris tells the story of this incredible archeological find and its unlikely role in the fierce disputes over science and faith in Napole...
The Zodiac of Paris
The clash of faith and science in Napoleonic France The Dendera zodiac—an ancient bas-relief temple ceiling adorned with mysterious symbols of the stars and planets—was first discovered by the French during Napoleon's campaign in Egypt, and quickly provoked a controversy between scientists and theologians. Brought to Paris in 1821 and ultimately installed in the Louvre, where it can still be seen today, the zodiac appeared to depict the nighttime sky from a time predating the Biblical creation, and therefore cast doubt on religious truth. The Zodiac of Paris tells the story of this incredible archeological find and its unlikely role in the fierce disputes over science and faith in Napole...
L'Air Du Temps (1985)
In 1985, the shooting of Mr. Marfeo disrupts the quiet suburban neighborhood of Maple Bay and prompts thirteen-year-old Zinnia Zompa to reorganize everything she knows about her parents-- their preoccupations, obsessions, and above all, their battles with each other. As her understanding of the world grows, Zinnia sees how the violence she witnesses is part of a larger pattern of domination, one that shadows the world far beyond her neighborhood, and her coming-of-age means reckoning with this darkness.
探索“东方学”
本书从方法论、历史、物质文化、文学、跨学科等多个维度，针对中国、南亚、东南亚、西亚北非等不同领域，对“东方”研究进行了深入的思考。
Daidalos and the Origins of Greek Art
In a major revisionary approach to ancient Greek culture, Sarah Morris invokes as a paradigm the myths surrounding Daidalos to describe the profound influence of the Near East on Greece's artistic and literary origins.
The Allure of the Ancient
How was the ancient Middle East—including Egypt, Babylonia, and Persia— imagined and employed for artistic, scholarly, and political purposes in Europe, the Caribbean, and Latin America, circa 1600–1800 ?
Taming Cannibals
In Taming Cannibals, Patrick Brantlinger unravels contradictions embedded in the racist and imperialist ideology of the British Empire. For many Victorians, the idea of taming cannibals or civilizing savages was oxymoronic: civilization was a goal that the nonwhite peoples of the world could not attain or, at best, could only approximate, yet the "civilizing mission" was viewed as the ultimate justification for imperialism. Similarly, the supposedly unshakeable certainty of Anglo-Saxon racial superiority was routinely undercut by widespread fears about racial degeneration through contact with "lesser" races or concerns that Anglo-Saxons might be superseded by something superior—an even "fi...
