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The Jardin Des Plantes
Since his international breakthrough with 1960's La Route des Flandres, Claude Simon has captivated readers worldwide with his relentless examination of interior life - in particular his own. Breaking from realistic narrative, obsessed with the power (and betrayals) of memory, The Jardin des Plantes is nothing less than an inquiry into what creates each of us. While admitting that there are defining moments in one's life - eight days of battle during World War II was Simon's unforgettable experience - The Jardin des Plantes rings with his refusal to be defined by any single event. His thoughts show the complexity, the fabulous chaos, that makes up the experience of life for Simon and, he insists, for all thinking human beings. These memories - whether everyday minutiae or passages from novels or the staggering experiences of war and death - unreel like films, constantly replaying or stopping and starting according to the whimsical or terrifying nature of his experiences. The juxtapositions may hold meaning, or be nothing more a than a trick of the mind. What is important is that each memory has a place in his mind and each has an effect on his self and the way he projects that self
Married to the Job
Considers the growing number of American workers who, lacking meaningful personal lives, are increasingly and unsuccessfully seeking to meet emotional needs in their professional lives, in a study that offers advice on avoiding or repairing an unhealthy attachment to a job.
A Thousand Splendid Suns - 101 Amazingly True Facts You Didn't Know
Did you know Hosseini has been working to provide humanitarian assistance in Afghanistan through the Khaled Hosseini Foundation, which was inspired by the trip to Afghanistan that he made in 2007? Or, did you know when Hosseini first arrived in the United States at the age of 15, he did not speak English and studied the language through reading the paper, television and radio? What are the amazingly true facts behind A Thousand Splendid Suns by Khaled Hosseini? Do you want to know the golden nuggets of facts readers love? If you've enjoyed the book, then this will be a must read delight for you! Collected for readers everywhere are 101 book facts about the book & author that are fun, down-to...
I Was the Jukebox
"Sandra Beasley eschews the poet-as-speaker convention and unleashes a collection teeming with the inanimate, the anachronistic, and the animal kingdom. In these poems Beasley approaches the world with all of its wild music, Wednesday compromises, migrating battlefields, and lovelorn minotaurs with clarity, humor, and compassion."--
Hallelujah! Interviews with American Christian Poets as Read in Church of England Newspaper, London
In this collection of interviews with American Christian poets, published on the web by Church of England Newspaper, London, the ongoing series represented here includes Susan Wheeler, Philip Kolin, and Peter Cole, among others. Though a Christian collection, the secular Jewish poet and translator of note Peter Cole is included. Susan Wheeler teaches at Princeton, and Philip Kolin at University of Southern Mississippi. Each was interviewed in this ongoing series, still going on, by Religion Writer Peter Menkin. This is a living series. Philip Kolin has once again heard the whisper of Gods word with the ear of his heart and given poetic expression to the timeless value of that word. From: Int...
The Habit of Poetry
Something of a minor literary renaissance happened in midcentury America from an unexpected source. Nuns were writing poetry and being published and praised in secular venues. Their literary moment has faded into history, but it is worth revisiting. The literary creations of poetic priests like Gerard Manley Hopkins, S.J., and Robert Southwell, S.J. have been both a blessing and a burden--creating the sense that male clergy alone have written substantial work. But Sor Juana Inés de la Cruz, the 17th century Mexican poet-nun famous for her iconic verses and trailblazing sense of the role of religious creative women, set the literary precedent for pious work from women. Sister Mary Bernetta Q...
If You Can Get It
Jen Nilsson has an MBA, a nice condo, and a fast-track job at a tech start-up in Silicon Valley. If her big product launch goes well next month, she may finally land the marketing director job she's been gunning for. But then her younger sister, Katie, just out of college and estranged from their newly devout parents, blows through the front door, dumping cardboard boxes and a lifetime of personal drama onto Jen's just-swept floor. Family is family, and Jen lets her sister, the embodiment of all that annoys her, move in. Maybe she'll turn aimless Katie into a model adult. But when Jen's own well-laid career plans hurtle off the tracks—a corporate buyout, a layoff, and a disastrous business trip to China—she turns more and more to Katie for support and begins to reassess the place of family, and love, in her life. If You Can Get It explores the quirks and the humanity of the twenty-first-century business world but finds its heart in the deepening relationship of two sisters as different as Elinor and Marianne of Sense and Sensibility.
I Was the Jukebox: Poems
“[Beasley’s] lightness works best when it dapples her darkness—and when her darkness, as it often does, feels truly deep.”—Abigail Deutsch, Poetry The winner of the 2009 Barnard Women Poets Prize—“These poems are fresh, crisp, and muscular. They are decisive and fearless. Every object, icon, or historical moment has a soul with a voice. In these poems these soulful ones elbow their way to the surface of the page, smartly into the contemporary now.”—Joy Harjo, prize citation from “The Piano Speaks” For an hour I forgot my fat self, my neurotic innards, my addiction to alignment. For an hour I forgot my fear of rain. For an hour I was a salamander shimmying through the kelp in search of shore, and under his fingers the notes slid loose from my belly in a long jellyrope of eggs that took root in the mud.
Formal Matters in Contemporary Latino Poetry
Today's Latino poetry scene is incredibly vibrant. With original interviews, this is the first meditation on the thematic features of such poetry. Looking at how Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use structures such as meter, rhyme, and line break, this study identifies a poetics of formalist Latino poetry.
Hunger
Set during Hitler's siege of Leningrad, Elise Blackwell's beautiful debut novel is the deeply moving story of one man's confrontation with his own morality. A scientist, but a man of powerful personal appetites, unexpectedly finds himself with a choice that is informed too much by his private hungers. The danger he faces is betraying not only the woman he loves but also the principles he holds most dear.
