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In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of the Italian workerists during the 1960s and 1970s, as they sought to organise amongst new subjectivities of mass rebellion.
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This book investigates the representation of the Axis War – the wars of aggression that Fascist Italy fought in North Africa, Greece, the Soviet Union, and the Balkans, from 1940 to 1943 – in three decades of Italian literature. Building on an innovative and interdisciplinary methodology, which combines memory studies, historiography, thematic criticism, and narratology, this book explores the main topoi, themes, and masterplots of an extensive corpus of novels and memoirs to assess the contribution of literature to the reshaping of Italian memory and identity after the end of Fascism. By exploring the influence that public memory exercises on literary depictions and, in return, the contribution of literary texts to the formation and dissemination of a discourse about the past, the book examines to what extent Italian literature helped readers form an ethical awareness of the crimes committed by members of their national community during World War II.
Given the continuing relevance of Fanon's insights into the enduring legacy of colonialism on the psyches of the colonised, this compelling and personal account of his life will be required reading for anyone interested in the consequences of empire.
A dicembre del 2013 saranno trascorsi 500 anni dalla scrittura del Principe; più esattamente, il 10 dicembre 2013 saranno passati 500 anni dalla stesura della formidabile lettera all’amico Francesco Vettori, in cui Niccolò Machiavelli comunicava di aver scritto «un opuscolo» sui principati... Da allora la politica non ha più smesso di fare i conti con quell’opuscolo e col suo autore.
Of the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time, but in showing a way ahead to a new condition of music in the twenty-first century. His music has found a listenership beyond the ageing constituency of ‘contemporary music’. In Nono’s work, the audiences of sound art, improvisation, electronic, experimental and radical musics of many kinds find common cause with those concerned with the renewal of Western art music. His work explores the individually and socially transformative role of music; its relationship with history and with language; the nature of...
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