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National Endowment for the Humanities Annual Report
  • Language: en
  • Pages: 180

National Endowment for the Humanities Annual Report

  • Type: Book
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  • Published: 1982
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  • Publisher: Unknown

Includes appendices.

Food and Knowledge in Renaissance Italy
  • Language: en
  • Pages: 355

Food and Knowledge in Renaissance Italy

  • Categories: Art
  • Type: Book
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  • Published: 2016-04-15
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  • Publisher: Routledge

Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the ...

Riding the New York Subway
  • Language: en
  • Pages: 392

Riding the New York Subway

  • Type: Book
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  • Published: 2021-02-16
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  • Publisher: MIT Press

A history of New York subway passengers as they navigated the system's constraints while striving for individuality, or at least a smooth ride. When the subway first opened with much fanfare on October 27, 1904, New York became a city of underground passengers almost overnight. In this book, Stefan Höhne examines how the experiences of subway passengers in New York City were intertwined with cultural changes in urban mass society throughout the twentieth century. Höhne argues that underground transportation--which early passengers found both exhilarating and distressing--changed perceptions, interactions, and the organization of everyday life.

Driven Wild
  • Language: en
  • Pages: 384

Driven Wild

In its infancy, the movement to protect wilderness areas in the United States was motivated less by perceived threats from industrial and agricultural activities than by concern over the impacts of automobile owners seeking recreational opportunities in wild areas. Countless commercial and government purveyors vigorously promoted the mystique of travel to breathtakingly scenic places, and roads and highways were built to facilitate such travel. By the early 1930s, New Deal public works programs brought these trends to a startling crescendo. The dilemma faced by stewards of the nation's public lands was how to protect the wild qualities of those places while accommodating, and often encouragi...

America in the Gilded Age
  • Language: en
  • Pages: 446

America in the Gilded Age

  • Type: Book
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  • Published: 1993-10
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  • Publisher: NYU Press

**** New edition (an earlier version is cited in BCL3). Annotation copyright by Book News, Inc., Portland, OR

Angels of Art: Women and Art in American Society, 1876Ð1914
  • Language: en
  • Pages: 305

Angels of Art: Women and Art in American Society, 1876Ð1914

None

Nature, Technology, and Society
  • Language: en
  • Pages: 351

Nature, Technology, and Society

  • Type: Book
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  • Published: 1994-11
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  • Publisher: NYU Press

Ferkiss (emeritus, government, Georgetown U.) delves thoughtfully into how various civilizations and cultures, including Western civilization, have historically looked at humanity, nature, and technology. He then looks at the conflicting attitudes of contemporary thinkers, seeking a balance, but maintaining a bias toward reverence for nature and an unwillingness to allow technology and its owners to set all the terms. Annotation copyright by Book News, Inc., Portland, OR

Archaism, Modernism, and the Art of Paul Manship
  • Language: en
  • Pages: 285

Archaism, Modernism, and the Art of Paul Manship

  • Categories: Art

Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors—some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end—and against the background of Manship’s career—she explores suc...