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A mesmerising fable with a difference, set in Japan over 1000 years ago For readers of Alessandro Baricco's Silk, Patrick Süskind's Perfume and Takashi Hiraide's The Guest Cat. The village of Shimae is thrown into turmoil when master carp-catcher Katsuro suddenly drowns in the murky waters of the Kusagawa river. Who now will carry the precious cargo of carp to the Imperial Palace and preserve the crucial patronage that everyone in the village depends upon? Step forward Miyuki, Katsuro's grief-struck widow and the only remaining person in the village who knows anything about carp. She alone can undertake the long, perilous journey to the Imperial Palace, balancing the heavy baskets of fish o...
Abandoned by her parents, brought up by her strict maternal grandmother in a small backwater town, young Beatrice Saubin always dreamed of visiting warm climates and exotic places. As a teenager she hitchhiked to India and later to Afghanistan and Thailand. In Malaysia, at age nineteen, she fell in love with Eddy Tan Kim Soo, a handsome, wealthy Chinese man. They planned to meet in Europe and marry. But at the airport on her way home, her spanking new Samsonite suitcase—a gift from Eddy— was ripped apart by custom officials. Beatrice was horrified to see that it contained several kilos of heroin. Clearly she had been set up by Eddy, who, it turned out, was a member of a powerful drug car...
This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a E...
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Alexandre Dumas, author of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask, is the most famous French writer of the nineteenth century. In 2002, his remains were transferred to the Panthéon, a mausoleum reserved for the greatest French citizens, amidst much national hype during his bicentennial. Contemporary France, struggling with the legacies of colonialism and growing diversity, has transformed Dumas, grandson of a slave from St. Domingue (now Haiti), into a symbol of the colonies and the larger francophone world in an attempt to integrate its immigrants and migrants from its former Caribbean, African, and Asian colonies to improve race relations and to prom...
Award-winning French author shares the biography and spiritual journey of Cistercian abbot Dom André Louf. Based on a wide variety of interviews, printed sources, and Dom André Louf’s spiritual journal, The Way of the Heart narrates Louf’s spiritual journey from his childhood in Flanders through his becoming a monk in a Cistercian monastery, his ten years of retirement as a hermit in a Benedictine monastery in the south of France, and his death. Throughout his life he periodically struggled with conflicting vocational desires—sometimes wishing to serve as a pastor, academic, abbot, or to immerse himself in eremitic contemplation. That struggle is the leading thread through this biography, which portrays a man whose immense gifts pulled him in many directions, while always endeavoring to submit himself to God’s will.
Despite postmodernism's skepticism about narrative, the dialogue with contemporary fiction, drama, music and film demonstrates that the Christian story can engender and sustain hope.
Twenty-five essays by scholars from the UK, Ireland, Germany and Australia explore two aspects of new German-language literature. The first dozen studies focus on the variety and depth of the 'dialogue' - in the sense of reciprocal influences - between literature, photography, film, painting, architecture, and music. The remaining essays alight on 'Life-Writing' in most of its forms (diaries, memoirs, autobiographies, and autobiographical fiction) and examine its centrality in recent years in German literature, not least because of the shadow which World War Two continues to cast over national life.
During his lifetime, Alexandre Dumas (1802-1870)--grandson of a Caribbean slave and author of The Three Musketeers and The Count of Monte Cristo--faced racial prejudice in his homeland of France and constantly strove to find a sense of belonging. For him, "Monte Cristo" was a symbol of this elusive quest. It proved equally elusive for those struggling to overcome slavery and its legacy in the former French colonies. Exiled to the margins of society, 19th and 20th century black intellectuals from the Caribbean and Africa drew on Dumas' work and celebrity to renegotiate their full acceptance as French citizens. Their efforts were influenced by earlier struggles of African Americans in the decades after the Civil War, who celebrated Dumas as a black American hero.