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Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literat...
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Apr. 20-July 27, 2008 and at the Nasher Museum of Art at Duke University, Aug. 21-Nov. 9, 2008.
Online ed. provides access to the entire 45,000-plus articles of Grove's Dictionary of art (1996, 34 vols.) with constant additions of new material and updates to the text, plus extensive image links.
Published to accompany the Credit Suisse exhibition Michelangelo & Sebastiano held at the National Gallery in London, March 15 through June 25, 2017.
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En el presente volumen se publica la Misa a 16 Benedicam Dominum in omni tempore de Carlos Patiño (1600-1675), maestro de la Real Capilla en los reinados de Felipe IV y Carlos II. La obra de Patiño es una «misa parodia» o «misa de imitación» que utiliza los materiales del motete Benedicam Dominum in omni tempore de Géry de Ghersem (ca. 1573/5 – 1630), que fue cantor de la Real Capilla a finales del reinado de Felipe II y, posteriormente, teniente de maestro de la Real Capilla a comienzos del reinado de Felipe III. El 2º coro de la misa de Patiño requiere una voz de alto y un conjunto de instrumentos alto, tenor y bajo.