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Titian
A celebration of one of the most important groups of Renaissance paintings
Michalangelo
Published to accompany the Credit Suisse exhibition Michelangelo & Sebastiano held at the National Gallery in London, March 15 through June 25, 2017.
Yellow Negroes and Other Imaginary Creatures
One of the Globe & Mail’s 100 Best Books of 2018 A timely collection of work about race and immigration in Paris by one of France's most revered cult comic book artists. Yvan Alagbé is one of the most innovative and provocative artists in the world of comics. In the stories gathered in Yellow Negroes and Other Imaginary Creatures—drawn between 1994 and 2011, and never before available in English—he uses stark, endlessly inventive black-and-white brushwork to explore love and race, oppression and escape. It is both an extraordinary experiment in visual storytelling and an essential, deeply personal political statement. With unsettling power, the title story depicts the lives of undocum...
Chester Brown
The early 1980s saw a revolution in mainstream comics—in subject matter, artistic integrity, and creators' rights—as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983–1994). Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. It also includes original annotations from Chester Brown, provided especially for this book, in which he adds context, second thoughts, and other val...
Rogue: Untouched
Rogue’s frightening new mutant powers keep her at arms-length from the world, but two strangers offer a chance to change her life forever, in this exhilarating Marvel Super Hero adventure Young Rogue’s life is a mess: she’s on her own, working a terrible diner job and hiding from everyone. The powers she has started to develop are terrifying: when your first kiss almost kills the guy, it’s hard to trust anyone – even yourself. Then two people arrive in town who could change her life, and she finally gets a choice: try her luck with the big-haired billionaire who claims to be scouting for gifted interns, or trust the rakish Cajun gambler with the eerie red eyes. But these two aren’t the only ones interested in a mutant just coming into her powers. Rogue will have to master her abilities and decide her own fate – before someone else does.
Bosch and Bruegel
A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are...
Handbook on the Politics of Small States
Comprehensive and timely, this Handbook identifies the key characteristics, challenges and opportunities involved in the politics of small states across the globe today. Acknowledging the historical legacies behind these states, the chapters unpack the costs and benefits of different political models for small states.
Raphael
Among the great figures of the Italian Renaissance, Raphael (1483-1520) is unarguably the artist who has been most widely and consistently admired across the centuries. He had an extraordinary and perhaps unrivaled capacity for self-reinvention--as he progressed from Umbria to Florence and Rome--and an ability to draw strength from the other great artists around him, seemingly growing in stature the more daunting the competition became. This insightful, impeccably researched, and comprehensive volume, published to mark the 500th anniversary of Raphael's death, chronicles the progress of his career in all its richness and complexity. Sumptuous production values and generous illustrations go hand in hand with its rigorous and wide-ranging scholarship. The essays explore Raphael's paintings and drawings, his frescoes in the Vatican Stanze, his designs for tapestries, sculptures, and prints, and his engagement with architecture, art theory, and archaeology. Detailed and authoritative catalogue entries examine many of the finest of Raphael's individual paintings and drawings alongside prints, tapestries, and sculpture.
Grotesque and Caricature
Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.
Bertel Thorvaldsen
One of the earliest portrait photographs -- a daguerreotype -- represents the Danish artist Bertel Thorvaldsen. In spite of the fact that the photograph is signed and dated there has been doubts about the dating and the location of the taking of the picture. Starting from the photography itself as well as the historical facts the author sets the photography in its proper context. Written sources material and other pictures are presented to throw light on the photographer, the French businessman A C T Neubourg's work in Scandinavia. Furthermore, the reader gains an insight into the exposure as it is being reflected in the picture where an older conception of art meets the new age of photography. The book also contains an appendix by Jens Frederiksen (The Royal Academy of Fine Arts School of Architecture, Copenhagen) on A C T Neubourg's camera, lens and daguerreotypes.
