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Desire Unlimited
The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.
The Big Family
The Great Family by Diego Galán Ruiz A strange sect called The Big Family. After Carlos' death and the disappearance of her boyfriend, Javier, Charlotte decides to investigate on her own. She is convinced that everything that has happened is related to the online game "The End of the Internet" and will not stop until she enters the sect and discovers all the details of how it works. Will she manage to see Javier again and find the real culprits or will she also fall into the network of the organization? "The Big Family" is a fantastic novel with a touch of a crime novel, which in each unexpected twist will manage to confuse the reader.
The Power of the Dispersed
The present case studies on early modern travelers, dispersed often by unintended consequences of war, curiosity, economic or political reasons in the Mediterranean, the Americas and Japan, ask for what ́power(s) ́ and agency they still had, perhaps counterintuitively, abroad.
The End of the Internet.
The end of the internet Everything is related to the existence of what they call "theElixir of Happiness", which is nothing more than an internetaddiction that occurs when individuals connect to thenetwork while wearing special glasses. With them it has aneffect that makes them feel happy, but they becomeaddicted. The attempt to resolve this situation with acomputer virus that apart from these people on the networkby governments not only does not help, but complicates thesituation. The problems for humanity and for Javier haveonly begun. The author shows in his pages the dominion ofsuspense. In "The end of the Internet" Nothing is what itseems. The unexpected turns leave the reader with hismouth open. Sci-fi with touches of black novel to enjoy.
Forbidden Desire in Early Modern Europe
Forbidden Desire is a pioneering study of the history of male-male sex in the whole of Early Modern Europe, including the European colonies and the Ottoman world.
Catalogue
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Modes of Representation in Spanish Cinema
Isolated by the repressions and censorship of Franco's regime, Spanish cinema developed distinctive style and content from the 1930s to the 1970s, largely without reference to its international counterparts. Through a series of close readings of films made in the Republican period under Franco and more recently under socialism, contributors here seek to present a clearer picture of Spanish national cinema.
Drawing the Curtain
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
Lope de Vega on Spanish Screens, 1935–2020
This book provides an in-depth examination and analysis of the film and television adaptations of Lope de Vega’s theatrical dramas that have appeared on Spanish screens since the mid-twentieth century. Using a multidisciplinary approach, Allen draws on critical media literacy studies, film and adaptation studies, literary theory, cultural studies, and cultural historiography in his analysis. Allen argues that, given the problematic reception of Lope’s works in Francoist Spain, the canonical author never held a privileged position in the dictatorial propaganda machine. In fact, adaptations of Lope’s theater productions were subject to the same rigorous scrutiny, if not more, than any other screenplays that landed under censorship’s microscope. Allen analyzes adaptations produced during and after the nearly forty-year dictatorship and questions whether the adaptors of the democratic era created films and television shows that can sufficiently demonstrate how the spirit of Lope’s life and works can resonate with modern audiences. Scholars of film and television studies, adaptation studies, and history will find this book particularly useful.
