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The Dynamics of Narrative Form
By redefining established topics of narratology, research has become highly diversified. The contributions to this volume neither synthesize developments nor work from shared postulates, but represent a fresh look at ongoing issues. Some scrutinize focalisation in a linguistic framework or in a poststructuralist vein; others take on reliable and unreliable narration in a pronominal perspective or the "unaddressed" reader who upsets the tidy schemes of narrative communication. Also outlined are a possible worlds approach to narrative time, a systematic treatment of metanarrative and a transgeneric application of narratology to poetry. The sequential ordering of narratives as a way of controlling reader response is examined in one article and in another is seen to elicit intertextual configurations. Both divergent and complementary, the contributions seek to integrate into narratological categories and methods the dynamic processes of narrative itself.
Masters of the Grotesque
The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors' films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre--the auteur and the genre filmmaker--a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.
Going Home Through Seven Paths to Nowhere
This book is one of those rare combinations of intellectual brilliance, stylistic clarity, and sheer verve. The book contains a series of major works of American short fiction by Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Henry James as occasions for a mode of reading in which the readers aim is to establish an intimate relationship with the special arrangement of words in a text, governed by a trust in a happy coincidence of moments in which one might recognize the words relevance to ones life. Dr. Kllay calls this a good encounter, a term she adopts from the writings of philosopher Stanley Cavell. In her detailed, theoretical introduction, Dr. Kllay lays bare her scholarly debt, primarily to the writings of Cavell himself and to the work of literary critic Wolfgang Iser, as she further develops and clarifies the idea of the good encounter. Here she identifies the good encounter with a particular trope, which appears within the tales themselves, and which also
A Life Composed
"The modern literary critic", T. S. Eliot wrote in 1929, "must be an 'experimenter' outside of what you might at first consider his own province; [...] there is no literary problem which does not lead us irresistibly to larger problems." This book follows Eliot's principle and situates his literary and critical work in a wide context that reveals manifold links between aesthetics, ethics, politics and epistemology: the historical context of early-twentieth-century idealism, vitalism and pragmatism, especially the intensely political Bergsonian controversy, and the modern context of the philosophies of Charles Taylor, Michel Foucault and Richard Rorty. 'Knowledge', it argues, was verbalised i...
Transnational, National, and Personal Voices
"The growing heterogeneity of Asian American and Asian diasporic voices has also given rise to variegated theoretical approaches to these literatures. This book attempts to encompass both the increasing awareness of diasporic and transnational issues, and more ""traditional"" analyses of Asian American culture and literature. Thus, the articles in this collection range from investigations into the politics of literary and cinematic representation, to ""digging"" into the past through ""literary archeology"", or analyzing how ""consequential"" bodies can be in recent literature by Asian American and Asian diasporic women writers. The book closes with an interview with critic and writer Shirle...
Genius of Place
Until recently most discussions of William Faulkner have centered exclusively on his novels. Yet no chronicle of Faulkner's Growth as a literary artist, perhaps America’s foremost in this century, can afford to overlook the years he spent struggling to establish himself as a writer of short stories. To trace in detail Faulkner's personal and artistic growth during the prolific years 1925-1931, when he was approaching artistic ripeness and earning belated recognition, has hitherto been impossible. There seemed to be no means of dating the innumerable drafts, the false starts and fumbling revisions, among the thousands of sheets left behind when he died in 1962. Max Putzel’s critical study...
A Theory of Narrative
The purpose of this book is to provide a clear and systematic account of the complexities of fictional narration which result from the shifting relationship in all storytelling between the story itself and the way it is told.
Gayl Jones
Gayl Jones is dedicated to the art of "verbal authenticity," stemming from her identification with her African American heritage. Amid widespread critical praise as well as pointed attacks for her controversial first two novels, Jones has shown a constantly evolving cultural consciousness. This first single-author study of Gayl Jones recovers the work of an under-examined yet immensely skillful contemporary writer. It offers a thorough examination of her technical innovations as well as her willingness to explore controversial subject matter. The book addresses such crucial themes as Afrocentrism, diasporas, mythopoesis, post-colonialism and globalization, and offers close readings of the aesthetic and political interchanges within Jones's fiction, drama, poetry, and criticism. Two interviews with Gayl Jones are included.
