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Jazz
A dictionary arrangement of over 1,600 entries on terms and performers.
On the Road with George Melly
In this compelling and moving account of the marvellous Melly's last five years, on- and off-stage, the eminent jazz trumpeter, Digby Fairweather, whose band has accompanied Melley during this period, captures the technicolour Melly as never before. He vividly recalls the many gigs, recording and drinking sessions, the performances up and down the country, the characters they have met and the unexpected and unscripted encounters...as well as their conversations and friendship.Anyone who has seen George Melly on stage will know how outrageous and captivating he can be - the rouguish twinkle in the eye always spelling mischief. But there is another side to him - his erudition, his fame as an expert on Surrealism, his passion for angling, his sexual appetite and more.Even in his last year, although very ill and growing ever more deaf, his sense of fun and his love of music has kept him singing to the end - the ultimate performer. In "George Melly: The Final Bows of a Legend", one of his closest associates offers a view of this jazz master as never seen before.
The Long Shadow of the Little Giant
Over forty years have elapsed since the death of the British jazz legend Tubby Hayes and yet his story still continues to captivate. Beginning as a precociously talented teenage saxophonist, he took first the local and then the international jazz scene by storm, displaying gifts equal to the finest American jazzmen. He appeared with none other than Duke Ellington and proved almost single-handedly that British jazz need not labour under an inferiority complex. Hayes's triumphs during the 1950s and 60s enabled still later generations of English musicians to take their music onto the world stage. However his story, distorted by the folklore surrounding his tragically early death, aged only 38, ...
Miles Davis
This exhaustively researched, revised edition of Ian Carr's classic biography throws new light on Davis' life and career: from the early days in New York with Charlie Parker; to the Birth of Cool; through his drug addiction in the early 1950s and the years of extraordinary achievements (1954-1960), during which he signed with Columbia and collaborated with such unequaled talents as John Coltrane, Bill Evans, Wynton Kelly and Cannonball Adderly. Carr also explores Davis' dark, reclusive period (1975-1980), offering firsthand accounts of his descent into addiction, as well as his dramatic return to life and music. Carr has talked with the people who knew Miles and his music best including Bill Evans, Joe Zawinul, Keith Jarrett, and Jack DeJohnette, and has conducted interviews with Ron Carter, Max Roach, John Scofield and others.
Ongar Music Club: Records to Recitals
The story of how a small music club in Ongar in Essex has presented many of the great names from the world of jazz including Kenny Ball, Acker Bilk, Humphrey Lyttleton and Ronnie Scott.
The Blackwell Guide to Recorded Jazz
The first edition of the Guide d was widely praised for identifying 150 key recordings that should form the basis of any jazz collection, backed up by a series of detailed critical commentaries unrivalled in any competing book of its kind for their depth and critical insight. This new edition broadens the scope of the Guide d, looking at recent developments and styles and suggesting almost 250 discs as the core collection.
The Last Dragonslayer
As magic fades from the world, 15-year-old Jennifer Strange is having trouble keeping her magician employment agency business afloat, until she begins having visions that foretell the death of the last dragon and the coming of Big Magic.
Owning Up
George Melly's three autobiographical memoirs - Scouse Mouse, Rum, Bum and Concertina and Owning Up in one volume for the first time. An account of the author's life from childhood in middle-class Liverpool in the thirties, through national service in the navy as an ordinary seaman to his emergence as a connoisseur of surrealist art and his career as a jazz singer.
The Jazz Composer
the jazz composer, moving music off the paper is a philosophical consideration of jazz composition, arguing that real jazz happens in real time, once. That this fact eludes many involved in the music today is a major cause of concern.The book takes a cl
More Important Than the Music
Today, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. Epperson’s More Important Than the Music. Following the dedicated few who sought to keep jazz’s legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson exami...
