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Music Postcard Recruitment (package of 25)
Sing New Zealand
New Zealanders love to sing together, and we've done so in choirs for over 200 years. In Sing New Zealand, Guy E. Jansen describes our country's choral music trajectory, from the amateur efforts of the nineteenth century to today's internationally renowned choirs. It's a story about striving for excellence—and achieving it. This book is the first to bring together the stories and history of this significant aspect of New Zealand's culture.
The Cambridge Companion to Choral Music
Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.
Great Day of Singing
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Choral Repertoire
Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for practicing conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts, it is an account of the complete choral output of the most significant composers of this genre throughout history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book will be an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music.
A History of Western Choral Music
Volume 1. From medieval foundations to the romantic age
Historical Dictionary of Choral Music
The Historical Dictionary of Choral Music focuses on choral music and practice in the Western world from the medieval era to the 21st century. This is done through a chronology, introduction, bibliography, and over 1000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.
Directions for Singing Choir Piano
Directions for Singing is an accessible and fresh choral and orchestral work based on Charles Wesley's instructions to Methodists regarding hymn singing in the church. John Wesley narrates the work in between each movement commenting about his brother in a poignant and sometimes humorous manner. On February 18, 2007, nearly 400 Methodist singers representing all five jurisdictions will be presenting a world premiere work celebrating the 300th anniversary of Charles Wesley's birth at Lincoln Center in Avery Fischer Hall accompanied by the New York based New Amsterdam Orchestra.
Nineteenth-Century Choral Music
Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical c...
