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He Had Come To See A World At The End Of One Period Of History And At The Beginning Of Another More Dramatic One. When He Came To India In December 1956 Roberto Rossellini Was An Internationally Renowned Figure. Highly Acclaimed As A Director Of Italian Neo-Realist Films And Married To Hollywood Legend Ingrid Bergman, His Was An Ebullient Yet Intense Personality That Combined A Fondness For Flashy Cars And Lovely Women With A Passionately Serious Commitment To Exploring The Human Condition And Portraying It With Unflinching And Unvarnished Honesty. Rossellini Had Come To India At The Invitation Of The Prime Minister, Jawaharlal Nehru. His Aim Was To Make A Series Of Films Which Would Capture...
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The state of Jammu and Kashmir has gone through some testing times. When terrorism was at its peak, it was confronted with a strong will and iron resolve by the people of the state who refused to get cowed down. In their endeavour to challenge the forces of evil, people found vigorous support from fellow citizens of the Indian Union and the security forces. An unfortunate facet was the politics of opportunism played out by some elements, who continue to remain out of sync with the actual aspirations of the people. This book revisits some of the main events of this millennium that have been instrumental in charting a new course for this trouble torn region. It speaks of the spirit of the people, who defied all odds for their right to live a life of freedom and dignity as an integral part of a vibrant democracy. As the book goes through various events, it provides invaluable inputs for energetic debate on the future course of action.
Scarred: Experiments with Violence in Gujarat asserts the existence of a much larger politics of violence, and tells the story of a disaster in Hindutva's laboratory which etched deep faults in Gujarat's social landscape. While capturing the predicament of the Sabarmati Express survivors, Scarred is an intense, moving portrait of refugees whose lives have been changed forever by the violence that followed. It tells the story of people fighting for justice amidst fear and turmoil, unable to return home. It is also an insightful look into the minds of the perpetrators of this violence, and the world they seek to construct--a world where the ghettoization and socio-economic boycott of Muslims have become the norm. What exactly happened in Gujarat in February 2002? Why did the country's political leaders fiddle while Gandhi's Gujarat burned? In this honest and thought-provoking book, Dionne Bunsha tries to answer these and many of the questions that we are still left with.
Almost Sixty Years Ago, Nehru Spoke Of India S Tryst With Destiny At The Dawn Of Independence. In The Constitution Of The New Republic That Was Framed A Few Years Later, The Goals And Values Of That Vision Were Unfolded. How Far Have We Progressed Since Then And What Is It That Destiny Now Holds For Tomorrow S India? The Present Volume Of Essays Surveys The Scene Past-Forward And Paints A Picture Of What Has Been Accomplished And What Remains To Be Done. There Is Pride And Satisfaction In Particular Over India S Vibrant Democracy And Progress In Many Directions. This Is Nonetheless Tinged With Concern, For There Are Nagging Problems Of Governance And Shortfalls In Human And Infrastructure De...
In the mid-1990s, India established an economic reform programme, initiated and sustained by a skilled yet quiet political leadership. This text provides an analysis of India's recent foreign policy, especially towards the United States.
A Reluctant Bureaucrat is an incisive study of the administrative system in India interwoven with a personal account of life lived within the realm of active government service. The narrative comes to the reader straight from the Author's heart as a way to deal with his loneliness and overwhelming grief when nature snatched away his beloved wife Kalpana in July 2012. Photos from his family archive compliment an account of unstinting dedication and the reluctance to compromise on core values even as he strove to make the system work. The resultant dilemma has been exquisitely handled.
In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's "many origins."