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In The Human-Animal Relationship in Pre-Modern Turkish Literature: A Study of The Book of Dede Korkut and The Masnavi, Book I, II, Dilek Bulut Sarikaya explores medieval Anatolia, where humans' connectivity to nonhuman animals was not yet disrupted by the capitalist economic systems and demonstrates how ancient societies treated nonhuman animals as self-conscious, spiritual individuals, capable of feeling pain with highly advanced forms of intentionality.
Dilek Bulut Sarıkaya scrutinizes human-plant entanglement in the poetry of Thomas Hardy and Sylvia Plath from the perspective of critical plant studies, which is committed to restoring the lost connection between humans and plants. The author offers a theoretical reading of Hardy and Plath’s poetry, focusing specifically on how plants are depicted by these two poets as self-conscious and emotional individuals who are turned into vulnerable victims of humans’ exploitative practices. The author develops a critical argument on the necessity of eradicating humans’ anthropocentric mindsets, categorizing plants as sessile, inert objects and replaces it with a plant-centric world view, perceiving plants as instantly active biological organisms who exist with their botanical accuracy rather than with the impositions of humans’ metaphoric meanings upon them.
Aging Studies and Ecocriticism: Interdisciplinary Encounters argues that both aging studies and ecocriticism address the complex dynamics of individual and collective agency, oppression and dependency, care and conviviality, vulnerability and resistance as well as intergenerationality and responsibility. Yet, even though both fields employ overlapping methodologies and theoretical frameworks and scrutinize “boundary texts” in different literary genres, which have been analyzed from ecocritical perspectives as well as from the vantage point of critical aging studies, there has been little scholarly interaction between ecocritical literary studies and aging studies to date. The contributors in this volume demonstrate the potential of specific genres to narrate relationality and age, and the aesthetic and ethical challenges of imagining changes, endings, and survival in the Anthropocene. As the first step towards putting both fields in conversation, this collection offers new pathways into understanding human and nonhuman ecological relations.
Cartographies of Postcolonial Vegetal Politics takes a deep dive into the stratified and rigidly segmented territorialities of Plant Humanities or Critical Plant Studies. It strikes up an epistemic departure from the arboreal structures of “plant-thinking” and subsequently lays out “plant-becoming” in terms of ontophytological thinking revised in alignment with rhizomatics so as to critically design the discursive edifices of postcolonial vegetal politics—the differential grammatology of which stands wedded to the production of the “new” and thus is understood to be able to position vegetality as event-in-(dis)order. Abhisek Ghosal emphasizes the profound importance of Deleuzo-...
Tracing lines of vegetal influence and affect, Shaped by Vegetal Matters: Phyto-Influence on Humans, Other Animals, and Place describes how plants influence and shape humans, their relations with other animals, and place. Highlighting vegetal matters related to four plant species and the triad of plants-elephants-humans in Sri Lanka, each case study opens up multi-directional influences across situated multispecies social milieus. From jacaranda trees in Australia, to wapato on a river island in the United States, to willow and weavers in Denmark, to sugarcane plantations in Sri Lanka, to dying yet mythic ash trees, features emerge of human-plant social intimacies, power dynamics, and intersubjectivities. A central glue of plant-human relations is poiesis, meaning the creation of something new, yet etymologically related to the poetic. Beyond explorations of poiesis, the vegetal offers an epistemology of recursion that is relevant for understanding place-based relationships. Elizabeth Oriel presents vegetal influence in analytical and descriptive styles, reflecting multispecies ethnography and other analytics brought to vegetal matters.
Sustainability education has typically centered the human-focusing on the changes and paradigm shifts needed to ensure a sustainable future for humans. Yet nonhuman beings, specifically plants and animals, are and have always been central to our lives, prompting wonder, curiosity, sensitivity and awe, as well as being important in their own right. In Multispecies Thinking in the Classroom and Beyond: Teaching for a Sustainable Future the contributors discuss the importance of seeking a more inclusive, more just, and ultimately a more hopeful future. They consider how everyday, entanglements with plants and animals can challenge us and expand our worldview. The contributors consider the importance of reciprocal relationships with plants and animals and provide practical strategies, approaches, and examples of how that looks in practice in all types of educational settings.
Critical Plant Studies in Taiwan presents a historical overview of vegetal ecocriticism in Taiwan. Divided into 12 chapters, it examines the human-plant entanglements on the island. Covering a wide spectrum of topics, such as the imperial plant explorations, the military casuarina afforestation, the mangrove conservation movement, the ecofeminist rooftop garden, the Indigenous millet restoration, the underground mycorrhizal network in urban Taipei, etc., it discloses the phyto-politics in the historical context of the vegetal materialist condition of the island. Intersecting the poetics and politics of plant narratives, it presents the multispecies plantscapes of the island. The first of its kind, the collection launches the historical and localized critical plant studies in Taiwan.
Intermedial Ecocriticism: The Climate Crisis Through Art and Media provides an extensive understanding of the climate crisis as it is represented in a number of medial forms, including scientific reports, popular science, graphic novels, documentaries, websites, feature films, and advertising. Theoretically, this is the first book that combines two important theories from the humanities: ecocriticism and intermedial studies. The book carefully develops Intermedial Ecocriticism as a method of investigating how climate crisis is represented and communicated through diverse media types. The chapters each include a comparative analysis of two or three specific media products and how they mediate the climate crisis.
This book disrupts the quintessential assumptions of ecology, the politics of identity, and environmental destruction, while proposing new readings, interpretations, and solutions in the face of urgent environmental issues.
The Animal Other in Narratives of Conquest: Uncanny Encounters investigates the functions of nonhuman animal imagery in diverse narratives of the Conquest of the Americas. The author's explications of film, poetry, literary and popular fiction, and theme park spaces draw on postcolonial and animal theory, deconstructive and Freudian literary criticism, and radical social theory. She argues that animals in these texts function on two levels: while they play a key role in the development of both Indigenous and European characters, depictions of their treatment and symbolic charge consistently work to disrupt narratives that seek to present the Conquest as a mutually beneficial "encounter" between two cultures. The close readings of animal imagery in texts ranging from Pablo Neruda's poetry to the animated film The Road to El Dorado represent a fresh approach to questions surrounding the depictions of Indigenous Americans and the motivations, tactics, and lasting contributions of the invading culture.