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Terrorism and Narrative Practice
Terrorism as a factor of public life has generated far-reaching, and as yet underexplored, questions about narrative and representation. Different textual forms can investigate both the symbolic and the performative character of terroristic acts. Diverse literary traditions, ranging from countries of Eastern and Western Europe to North America and the Middle East, bring their respective historical imaginations to bear on such representations. The essays collected in this volume join together in a transdisciplinary effort to understand the role of narrative practice in all its varieties in approaching the phenomenon of terrorism, whether historical or contemporaneous. (Series: Swiss: Forschung und Wissenschaft - Vol. 7)
Sacred Heart Devotion
In an innovative, pluri-disciplinary approach this volume focuses on how memory in Sacred Heart devotion is created, promulgated and transformed. The volume with contributions by historians, theologians, religious scientists and art historians links the dimension of memory to that of iconography, language, body and ritual practices and sheds light on adaptations, transfers, contestations and variations in a perspective of longue durée from the late Middle Ages to the present. The first part of the volume develops central axes of analysis, which are specifically investigated in the two following parts. The contributions of part two intertwine perspectives of cultural, social and art history ...
The Routledge History of Terrorism
Though the history of terrorism stretches back to the ancient world, today it is often understood as a recent development. Comprehensive enough to serve as a survey for students or newcomers to the field, yet with enough depth to engage the specialist, The Routledge History of Terrorism is the first single-volume authoritative reference text to place terrorism firmly into its historical context. Terrorism is a transnational phenomenon with a convoluted history that defies easy periodization and narrative treatment. Over the course of 32 chapters, experts in the field analyze its historical significance and explore how and why terrorism emerged as a set of distinct strategies, tactics, and mi...
On Strangeness
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Shakespeare and the Language of Translation
Shakespeare's international status as a literary icon is largely based on his masterful use of the English language, yet beyond Britain his plays and poems are read and performed mainly in translation. Shakespeare and the Language of Translation addresses this apparent contradiction and is the first major survey of its kind. Covering the many ways in which the translation of Shakespeare's works is practised and studied from Bulgaria to Japan, South Africa to Germany, it also discusses the translation of Macbeth into Scots and of Romeo and Juliet into British Sign Language. The collection places renderings of Shakespeare's works aimed at the page and the stage in their multiple cultural contexts, including gender, race and nation, as well as personal and postcolonial politics. Shakespeare's impact on nations and cultures all around the world is increasingly a focus for study and debate. As a result, the international performance of Shakespeare and Shakespeare in translation have become areas of growing popularity for both under- and post-graduate study, for which this book provides a valuable companion.
Cinematic Hamlet
Cinematic Hamlet contains the first scene-by-scene analysis of four outstanding film adaptations by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda of Hamlet. Indispensable for anyone wishing to understand how these directors rework Shakespeare into the powerful medium of film.
The Cambridge Companion to Shakespeare on Film
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This Companion is a lively collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Chapters have been revised and updated from the first edition to include the most recent films and scholarship. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
The Cambridge History of English Literature, 1660-1780
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Katherine Anne Porter's Ship of Fools
Containing pieces by distinguished scholars including Darlene Harbour Unrue and Robert Brinkmeyer, this book is the first full investigation of the links between Porter's only novel and European intellectual history. Beginning with Sebastian Brant, author of the late medieval Narrenschiff, whom she acknowledges in her Preface to Ship of Fools, Porter's image of Europe emerges as more complex, more knowledgeable, and more politically nuanced than previous critics of her novel have acknowledged. Ship of Fools is in conversation with Europe's humanistic tradition as well as with the political moments of 1931 and 1962; i.e., the years that elapsed from the novel's conception to its completion. The novel and the 1965 film based upon it intervene into the history of film, the assessment of Weimar Germany, and Porter's clear-eyed judgment of her own times through the lens of her art.
A Prehistory of Cognitive Poetics
"Bringing neoclassicism back into today's critical debates, this study considers the cognitive underpinnings of the rules of poetic justice, the unities and decorum, underlines their relevance for today's cognitive poetics and traces their influence in the emerging narrative form of the eighteenth-century novel"--
