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Europeans consitiute 12 and a half per cent of the world's population but consume 50 per cent of the recorded world production alcohol, and this consumption plays a significant role in the cultural, religious, and social identites of these countrise. The contributors show how different groups define the proper use of alcohol, how State policies may effect drinking behaviour, and highlight how beverages and comestibles must be seen in relation to each other. From this is it shown how importamt socio-cultural distinctions are made between and within communities, gender relations, ethnic groups, and socio-economic groups, and within religious ideologies; what one drinks, how one drinks, with whom, and where, all influence not how alcoholic substances are regarded but how social relations are experienced. Alcohol Gender and Culture clearly demonstrates how the social construction of drinking may provide an analytical tool with which to approach different socio-cultural groups and illustrates how any cultural group can be compared to another by its attutudes to alcohol. It will be invaluable reading for students and lecturers af anthropology, cultural history and gender studies.
Macedonia has been contested by its three neighbours – Serbia, Bulgaria and Greece – during and since the demise of the Ottoman Empire. But the Macedonian Question extends far beyond the contested borders of Macedonia to immigrant communities in Europe, Australia and North America. The contributors to this collection explore the contemporary repercussions of the Macedonian Question, which has long been at the heart of Balkan politics. The volume recognises Macedonia as a global issue, and focuses on the politics of identity and difference in both homeland and diaspora.The contributors argue that Macedonia as place and as concept is forged within a transnational network of diasporas, loca...
Bodily Charm is a passionate defense of opera as a living as well as live art. Written for both the opera lover and the specialist by a physician and a literary critic, it is an accessible and engaging interdisciplinary exploration of the operatic body—both the actual physical bodies of the singers and audience members and the represented body on stage in operas such as Death in Venice, Salome, Rigoletto, Der Ring des Nibelungen, and Elektra.
Re-inventing/Re-presenting Identities in a Global World is a collection of twelve selected essays which address the concepts of cultural identity formation and enactment, immigration, diaspora and repatriation, and gender politics within a globalized context. With the peripheral having now become the center of contemporary culture, this volume examines cultural and literary diversities that have emerged from the reciprocal traffic of ideas and influences between cultures, politics, aesthetics and disciplines, with an emphasis on cultural identity as a site of crisis and fragmentation. Written in an accessible way, this volume addresses several audiences, from postgraduate researchers and sch...
Do audit cultures deliver greater responsibility, or do they stifle creative thought? We are all increasingly subjected to auditing, and alongside that, subject to accountability for our behaviour and actions. Audit cultures pervade in the workplace, our governmental and public institutions as well as academia. However, audit practices themselves have consequences, beneficial and detrimental, that often go unexamined. This book examines how pervasive practices of accountability are, the political and cultural conditions under which accountability flourishes and the consequences of their application. Twelve social anthropologists look at this influential and controversial phenomenon, and map out the effects around Europe and the Commonwealth, as well as in contexts such as the European Commission, the International Monetary Fund and Academic institutions. The result provides an excellent insight into auditing and its dependence on precepts of economic efficiency and ethical practice. This point of convergence between these moral and financial priorities provides an excellent opening for debate on the culture of management and accountability.
In its assessment of the current "state of play" of ethnographic practice in social anthropology, this volume explores the challenges that changing social forms and changing understandings of "the field" pose to contemporary ethnographic methods. These challenges include the implications of the remarkable impact social anthropology is having on neighboring disciplines such as history, sociology, cultural studies, human geography and linguistics, as well as the potential 'costs' of this success for the discipline. Contributors also discuss how the ethnographic method is influenced by current institutional contexts and historical "traditions" across a range of settings. Here ethnography is featured less as a methodological "tool-box" or technique but rather as a subject on which to reflect.
A unique combination of the activist and the academic, Feminist Review has an acclaimed position within women's studies courses and the women's movement. It publishes and reviews work by women; featuring articles on feminist theory, race, class and sexuality, women's history, cultural studies, black and third world feminism, poetry, photography, letters and much more.
In Greece, women speak of mothering as "within the nature" of a woman. But this durable association of motherhood with femininity exists in tension with the highest incidence of abortion and one of the lowest fertility rates in Europe. In this setting, how do women think of themselves as proper individuals, mothers, and Greek citizens? In this anthropological study of reproductive politics and ethics in Athens, Greece, Heather Paxson tracks the effects of increasing consumerism and imported biomedical family planning methods, showing how women's "nature" is being transformed to meet crosscutting claims of the contemporary world. Locating profound ambivalence in people's ethical evaluations of gender and fertility control, Paxson offers a far-reaching analysis of conflicting assumptions about what it takes to be a good mother and a good woman in modern Greece, where assertions of cultural tradition unfold against a backdrop of European Union integration, economic struggle, and national demographic anxiety over a falling birth rate.
Over the past decade Iranian films have received enormous international attention, garnering both critical praise and popular success. Combining his extensive ethnographic experience in Iran and his broad command of critical theory, Michael M. J. Fischer argues that the widespread appeal of Iranian cinema is based in a poetics that speaks not only to Iran’s domestic cultural politics but also to the more general ethical dilemmas of a world simultaneously torn apart and pushed together. Approaching film as a tool for anthropological analysis, he illuminates how Iranian filmmakers have incorporated and remade the rich traditions of oral, literary, and visual media in Persian culture. Fischer...
Recasting Ritual explores how ritualized action diversifies in response to varying cultural, political and physical contexts. The contributors look at how issues such as globalisation and technology affect ritual performance and how minorities often utilise performances to affirm their own identites while also speaking to outsiders. The contributors examine the relationship between ritual meaning and social identity through case-studies drawn from the Pacific, Scandinavia, the Mediterranean, Latin America, Indonesia, and East and West Africa. Study of the theoretical underpinnings of social action affirms the independence of anthropology as a discipline from cultural, media and performance studies, according it a distinctive role in elucidating contemporary and emergent human conditions.