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A Journey of the Vocal Iso(n)
This study is concerned with the vocal iso(n) repertory, used, on the one hand, in the oral traditions of the multipart unaccompanied singing (IMUS) of the Southwest Balkans, or, more specifically, South Albania, North Epirus in Greece and a small part of the Republic of Macedonia (FYROM), and on the other hand in Byzantine chanting. The vocal iso(n) is an important component of these traditions, which are still practised today in the Southwest Balkans region. The study presents evidence on various manifestations of the practice in their particular geographical regions, and examines in detail the historical roots of these traditions. An ison, a drone holding-note, is the voice that provides ...
Liturgy and the Emotions in Byzantium
Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.
Performing Orthodox Ritual in Byzantium
The first full-length, interdisciplinary study of the Greek performing arts - theatre, rhetoric and ritual - between antiquity and the Renaissance.
Aural Architecture in Byzantium: Music, Acoustics, and Ritual
Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.
The Concise Encyclopedia of Orthodox Christianity
Based on the acclaimed two-volume Encyclopedia of Eastern Orthodox Christianity (Wiley Blackwell, 2011), and now available for students, faculty, and clergy in a concise single-volume format An outstanding reference work providing an accessible English language account of the key historical, liturgical, doctrinal features of Eastern Orthodoxy, including the Non-Chalcedonian churches Explores the major traditions of Eastern Orthodoxy in detail, including the Armenian, Byzantine, Coptic, Ethiopic, Slavic, Romanian, Syriac churches Uniquely comprehensive, it is edited by one of the leading scholars in the field and provides authoritative articles by a team of leading international academics and Orthodox figures Spans the period from Late Antiquity to the present, encompassing subjects including history, theology, liturgy, monasticism, sacramentology, canon law, philosophy, folk culture, architecture, archaeology, martyrology, and hagiography Structured alphabetically and is topically cross-indexed, with entries ranging from 100 to 6,000 words
Anti-Judaism and Christian Orthodoxy
A critical reading of Ephrem's numerous poetic writings demonstrates that his sharp anti-Jewish and anti-Judaizing language helped to solidify a pro-Nicene definition of Christian orthodoxy, cutting off from that community in the very act of defining it his so-called Judaizing and Arian Christian opponents, both of whom he accused of being more like Jews than Christians. Through carefully crafted rhetoric, Ephrem constructed for his audience new social and theological parameters that reshaped the religious landscape of his community.
Representations of the Feminine in the Middle Ages
For the most part, the women portrayed have speak to us through intermediaries. Hildegard of Bingen, Christine de Pisan, and Ann Hutchinson's 'recusant nuns' may present themselves in their own words - though even here there are veils of concealment, dissimulation, assumption and presumption to be removed - but Chaucer's women, Chretien's patrons, Milton's Eve, the conflation of saints which comprises Wilgefortis, Ste Foy, and the imperious Theodora are presented in the words, works and social milieux of men. Where they are, ostensibly, given their own voices it is by male authors.
The Past is Always Present
In The Past Is Always Present, Tore Tvarnø Lind examines the musical revival of Greek Orthodox chant at the monastery of Vatopaidi within the monastic society of Mount Athos, Greece. In particular, Lind focuses on the musical activities at the monastery and the meaning of the past in the monks' efforts at improving their musical performance practice through an emphasis on tradition. Based on a decade of intense fieldwork and extensive interviews with members of Athos' monastic community, Lind covers a vast array of topics. From musical notation and the Greek oral tradition to CD covers and music production, the tension between tradition and modernity in the musical activity of the Athonite ...
Celebration of Living Theology
Peeler recognizes the inherent connection between the paternal identity of God, the filial identity of the Son, and the filial identity of the audience.
Late Antique Letter Collections
Bringing together an international team of historians, classicists, and scholars of religion, this volume provides the first comprehensive overview of the extant Greek and Latin letter collections of late antiquity (ca. 300–600 c.e.). Each chapter addresses a major collection of Greek or Latin literary letters, introducing the social and textual histories of each collection and examining its assembly, publication, and transmission. Contributions also reveal how collections operated as discrete literary genres, with their own conventions and self-presentational agendas. This book will fundamentally change how people both read these texts and use letters to reconstruct the social history of the fourth, fifth, and sixth centuries.
