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Dina Porat has collected together a number of seminal articles that she has published over the last two decades. The central theme of the book is the relationships between the Jewish Diaspora in Europe and the emerging Jewish community in Palestine, and later the Israeli Jewish society in the shadow of the Holocaust.
The Fall of a Sparrow is the only full biography in English of the partisan, poet, and patriot Abba Kovner (1918–1987). An unsung and largely unknown hero of the Second World War and Israel's War of Independence, Kovner was born in Vilna, "the Jerusalem of Lithuania." Long before the rest of the world suspected, he was the first person to state that Hitler was planning to kill the Jews of Europe. Kovner and other defenders of the Vilna ghetto, only hours before its destruction, escaped to the forest to join the partisans fighting the Nazis. Returning after the Liberation to find Vilna empty of Jews, he immigrated to Israel, where he devised a fruitless plot to take revenge on the Germans. ...
In this, the authors twelfth book, Faitelson tells the exhaustive and authentic story of the escape from the Ninth Fort at Kovno. Faitelsons original account was published in seven languages. This new edition presents a broad gallery of cynical and cruel Nazi murderers wild beasts on two legs, the organisers and leaders of the mass murder of the Jews of Kovno, as well as the thousands of Jews brought to the Ninth Fort from central and western Europe. At the same time, there is a description of the Actions the mass murders of men, women, children and the elderly whose only crime was to be born to a Jewish mother. At the heart of the story are the corpse-burners, the preparations they made to escape from hell, the escape itself and the fate of the escapees.
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate t...
It has long been argued that the Allies did little or nothing to rescue Europe's Jews. Arguing that this has been consistently misinterpreted, The Myth of Rescue states that few Jews who perished could have been saved by any action of the Allies. In his new introduction to the paperback edition, Willliam Rubinstein responds to the controversy caused by his challenging views, and considers further the question of bombing Auschwitz, which remains perhaps the most widely discussed alleged lost opportunity for saving Jews available to the Allies.
Vividly traces the paths of Holocaust survivors who risked everything again to make a new life in Palestine.
This edition is the first of its kind to offer a basic collection of facsimile, English language, historical articles on all aspects of the extermination of the European Jews. A total of 300 articles from 84 journals and collections allows the reader to gain an overview of this field. The edition both provides access to the immense, rich array of scholarly articles published after 1960 on the history of the Holocaust and encourages critical assessment of conflicting interpretations of these horrifying events. The series traces Nazi persecution of Jews before the implementation of the "Final Solution", demonstrates how the Germans coordinated anti-Jewish activities in conquered territories, and sheds light on the victims in concentration camps, ending with the liberation of the concentration camp victims and articles on the trials of war criminals. The publications covered originate from the years 1950 to 1987. Included are authors such as Jakob Katz, Saul Friedländer, Eberhard Jäckel, Bruno Bettelheim and Herbert A. Strauss.
First published in 2004. It may well be that genius begins where fear ends: not to be afraid to question what is known, not to be afraid to be original. David Ben-Gurion did not try to imitate anyone...He was endowed with a mind that sought out whats was new and was capable of penetrating the deepest recesses. First and foremost, he challenged every Jew who believed it was the fate of Jews to live in the Diaspora, and he believed that the Jews could be a nation of farmers, industrialists, soldiers, pioneers, and not only scientists and intellectuals. He decided that the time had come to establish a Jewish state, yet once it had been founded, he was not satisfied- it must be an exemplary state, a chosen state.
Testimonial Montage: A Family of Israeli Holocaust Testimonies from the Cracow Ghetto Resistance explores interconnected testimonies of four Holocaust survivors who were members of the Akiva youth group in Cracow, Poland, who participated in the ghetto resistance. Drawing on literary and photographic discourse, Jelen extracts the contours of personal narrative from the collective voice present in these interconnected testimonies. Attuned to stories of lost youth, sexual exploitation, and the dissolution of community and family, Jelen approaches Holocaust testimonies as one would members of a family with their shared experiences and common background, but also as individuals with their own unique voices. Departing from historical methodologies, Jelen models a different, wholistic approach to Holocaust testimonies, one which seeks to make sense of testimonies in the full breadth of their unfolding, across time, across space, and across genre.