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Dina Porat has collected together a number of seminal articles that she has published over the last two decades. The central theme of the book is the relationships between the Jewish Diaspora in Europe and the emerging Jewish community in Palestine, and later the Israeli Jewish society in the shadow of the Holocaust.
It has long been argued that the Allies did little or nothing to rescue Europe's Jews. Arguing that this has been consistently misinterpreted, The Myth of Rescue states that few Jews who perished could have been saved by any action of the Allies. In his new introduction to the paperback edition, Willliam Rubinstein responds to the controversy caused by his challenging views, and considers further the question of bombing Auschwitz, which remains perhaps the most widely discussed alleged lost opportunity for saving Jews available to the Allies.
This volume provides a compendium of the history of and discourse about antisemitism - both as a unique cultural and religious category. Antisemitic stereotypes function as religious symbols that express and transmit a belief system of Jew-hatred, which are stored in the cultural and religious memories of the Western and Muslim worlds, migrating freely between Christian, Muslim and other religious symbolic systems.
In this, the authors twelfth book, Faitelson tells the exhaustive and authentic story of the escape from the Ninth Fort at Kovno. Faitelsons original account was published in seven languages. This new edition presents a broad gallery of cynical and cruel Nazi murderers wild beasts on two legs, the organisers and leaders of the mass murder of the Jews of Kovno, as well as the thousands of Jews brought to the Ninth Fort from central and western Europe. At the same time, there is a description of the Actions the mass murders of men, women, children and the elderly whose only crime was to be born to a Jewish mother. At the heart of the story are the corpse-burners, the preparations they made to escape from hell, the escape itself and the fate of the escapees.
The Fall of a Sparrow is the only full biography in English of the partisan, poet, and patriot Abba Kovner (1918–1987). An unsung and largely unknown hero of the Second World War and Israel's War of Independence, Kovner was born in Vilna, "the Jerusalem of Lithuania." Long before the rest of the world suspected, he was the first person to state that Hitler was planning to kill the Jews of Europe. Kovner and other defenders of the Vilna ghetto, only hours before its destruction, escaped to the forest to join the partisans fighting the Nazis. Returning after the Liberation to find Vilna empty of Jews, he immigrated to Israel, where he devised a fruitless plot to take revenge on the Germans. ...
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate t...
The modes in which historical research is being shaped have become themselves topics of research. Holocaust historiography - the documentation, depiction and analysis of one of the most horrific events in human history - is today a wide ranging academic field in which Jewish and non-Jewish scholars throughout the world are active. But how did this historiography, especially its Jewish aspect, emerge and by what factors was it shaped? This volume examines the very beginnings of the effort to apply scholarly standards to the understanding of the Holocaust - when World War II was still raging and immediately after it had ended.
First published in 2004. It may well be that genius begins where fear ends: not to be afraid to question what is known, not to be afraid to be original. David Ben-Gurion did not try to imitate anyone...He was endowed with a mind that sought out whats was new and was capable of penetrating the deepest recesses. First and foremost, he challenged every Jew who believed it was the fate of Jews to live in the Diaspora, and he believed that the Jews could be a nation of farmers, industrialists, soldiers, pioneers, and not only scientists and intellectuals. He decided that the time had come to establish a Jewish state, yet once it had been founded, he was not satisfied- it must be an exemplary state, a chosen state.
Testimonial Montage: A Family of Israeli Holocaust Testimonies from the Cracow Ghetto Resistance explores interconnected testimonies of four Holocaust survivors who were members of the Akiva youth group in Cracow, Poland, who participated in the ghetto resistance. Drawing on literary and photographic discourse, Jelen extracts the contours of personal narrative from the collective voice present in these interconnected testimonies. Attuned to stories of lost youth, sexual exploitation, and the dissolution of community and family, Jelen approaches Holocaust testimonies as one would members of a family with their shared experiences and common background, but also as individuals with their own unique voices. Departing from historical methodologies, Jelen models a different, wholistic approach to Holocaust testimonies, one which seeks to make sense of testimonies in the full breadth of their unfolding, across time, across space, and across genre.